https://so06.tci-thaijo.org/index.php/JoMbuHu/issue/feedJournal of MBU Humanities2026-08-13T13:07:50+07:00Natawut Klaisuwanjohu@mbu.ac.thOpen Journal Systems<p><strong><span class="OYPEnA font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none">Journal of MBU Humanities</span> </strong>(ISSN : 1686-8897 (Print) ISSN : xxxx-xxxx (Online) published in two issues each year: the January-June issue, and the July-December issue.</p> <p> Through the publication of this journal, the Editorial Board of the Faculty of Humanities, <span class="Y2IQFc" lang="en">Mahamakut Buddhist University, </span>aims to promote distinguished works of lecturers, researchers, academics, students, and any interested individuals, and to encourage knowledge exchange in humanities and related disciplines.</p> <p> The Editorial Board welcomes submissions of the following manuscripts, either in Thai or in English:<br /> - Research Articles<br /> - Academic Articles<br /> - Review Articles<br /> - Book Review </p> <p> Each contribution must address issues in humanities or related disciplines, such as language studies, linguistics, language learning and teaching, translation, literature, folklore, history, philosophy and religion.</p>https://so06.tci-thaijo.org/index.php/JoMbuHu/article/view/295219The Study of Memory Spaces in the Expatriate Novel Bupphe Kham Fa by Ratee2026-05-11T10:24:03+07:00Duangphorn Phoemphonauriwan_s@hotmail.comPanadda Boraphechauriwan_s@hotmail.comuraiwan singthongauriwan_s@hotmail.comRatsamee Ratchaburiauriwan_s@hotmail.com<p>The researcher applied the concepts of Memory Space and Sociology, employing a descriptive analysis method to present the findings. The study reveals three key dimensions of memory space in the novel: 1) Memory Space of Sacred Sites: Reflected through characters and their connections to Myanmar’s sacred locations. Five sites were identified: 1.1) Shwedagon Pagoda, 1.2) Kyaiktiyo Pagoda (Golden Rock), 1.3) Nga Htat Gyi Pagoda, 1.4) Peik Chin Myaung Cave, and 1.5) Phaung Daw Oo Pagoda. 2) Memory Space of Traditions and Culture: Reflected through characters as a foundation that weaves past beliefs and narratives into present-day practices. This includes the Thadingyut Festival and the Phaung Daw Oo Pagoda Festival. Furthermore, it encompasses Myanmar’s dress culture and culinary heritage, such as Sein Ta Lone mangoes, Kyat-u-pu-tin, Dote-hto, Mohinga, Phat-thoke, and Balachaung. 3) Memory Space of Natural Attractions: Reflected through characters as a transformation of the relationship between humans and the ecosystem. Four locations were identified: 3.1) Inle Lake, 3.2) Inya Lake, 3.3) Kandawgyi Lake, and 3.4) Pyin Oo Lwin.</p> <p>It is evident that in the travel fiction <em>Bupphe Kham Fa</em> by Rati, memories reflected through the characters and these spaces are not merely physical locations. Instead, they serve as bridges connecting the past to the present through rituals and way of life. The power of faith embedded within the architecture and nature in this literature acts as a vital mechanism for emotional healing and sustaining the relationships between humanity, religion, and the environment amidst the shifting currents of the globalized world.</p>2026-07-03T00:00:00+07:00Copyright (c) 2026 Journal of MBU Humanitieshttps://so06.tci-thaijo.org/index.php/JoMbuHu/article/view/295120Utopian and Dystopian Social Dimensions in S.E.A. Write Award Poetry Maa Kan Kluay by Paiwarin KhaoNgam2026-07-14T10:40:19+07:00Kulisara Phonthongauriwan_s@hotmail.comJetsadaporn Chiaraprtauriwan_s@hotmail.comuraiwan singthongauriwan_s@hotmail.comRatsamee Ratchaburiauriwan_s@hotmail.com<p><strong> </strong>การวิจัยครั้งนี้มีวัตถุประสงค์เพื่อศึกษามิติสังคมผ่านภาษาของกวีเรื่อง ม้าก้านกล้วย <br>ของไพวรินทร์ ขาวงาม มีจำนวน 222 หน้า ผู้วิจัยใช้แนวคิดยูโทเปียและดิสโทเปียนำเสนอผลการศึกษา ด้วยวิธีพรรณนาวิเคราะห์ ผลการศึกษาพบว่า มิติสังคมยูโทเปียและดิสโทเปียในกวีนิพนธ์ซีไรต์ <br>เรื่อง “ม้าก้านกล้วย” ของไพวรินทร์ ขาวงาม แบ่งออกเป็น 2 ประเด็นหลัก ได้แก่ 1. มิติสังคมยูโทเปีย <br>พบ 4 ประเด็น ได้แก่ 1) บริบทและการเปลี่ยนแปลงของสังคม 2) วิถีชีวิตชนบทและความผูกพันกับผืนแผ่นดิน 3) ครอบครัว ชุมชน และความสัมพันธ์ระหว่างผู้คน และ 4) ชีวิตการเดินทางกับความหวังของมนุษย์ 2. มิติสังคมดิสโทเปีย พบ 3 ประเด็น ได้แก่ 1) การเปลี่ยนแปลงวิถีชีวิตในมิติสังคมชนบทและสังคมเมือง 2) ผลกระทบต่อคนชนบท เด็ก และแรงงานในสังคมเมือง และ 3) การเปลี่ยนแปลงทางค่านิยม <br>วิถีชีวิต และวัฒนธรรม จะเห็นได้ว่า กวีนิพนธ์ เรื่อง “ม้าก้านกล้วย” สะท้อนให้เห็นความแตกต่างระหว่างภาพอดีตที่สงบสุขกับความจริงที่ยากลำบากในสังคมปัจจุบัน ซึ่งบีบบังคับให้ผู้คนต้องดิ้นรนปรับตัว ตามการเปลี่ยนแปลงของโลกอย่างหลีกเลี่ยงไม่ได้ </p>2026-08-13T00:00:00+07:00Copyright (c) 2026 Journal of MBU Humanitieshttps://so06.tci-thaijo.org/index.php/JoMbuHu/article/view/295896Study of Feminist Concepts in Female Characters in the Ramakien2026-07-14T10:37:16+07:00Wannapha silakkaeoaphidej.sup@mbu.ac.thAphidej Suphaaphidej.sup@mbu.ac.th<p>This research aims to examine the concepts and ideas of female characters in the Ramakien epic from a feminist perspective and to analyze the power dynamics and representation of female characters in relation to male characters. A qualitative research methodology is employed, drawing data from the text of the Ramakien epic, specifically the version composed by King Rama I (King Phutthayodfa Chulalok). The study focuses on five main characters, including Uma Devi, Sita, Kaikeyi, Mandodari, and Sammanakha.</p> <p>The research findings reveal that female characters in the Ramakien exhibit prominent feminist characteristics: 1) Independent thinking: Female characters express their desires and rights to determine their own destiny, such as Sammanakha. 2) Power and bargaining: Although under male dominance, women wield symbolic power through social status and emotional relationships that can drive significant events in the story. 3) Challenging tradition: Emotional expressions and desires that challenge conventional norms are evident, such as demanding promises or boldly expressing feelings. This reflects that female characters are not merely weak followers, but are crucial in altering power dynamics and decision-making among male characters. These findings contribute to a new understanding of the role of women in Thai literature, which is particularly relevant to the contemporary social context.</p>2026-08-13T00:00:00+07:00Copyright (c) 2026 Journal of MBU Humanitieshttps://so06.tci-thaijo.org/index.php/JoMbuHu/article/view/295895A study of the presentation techniques in the novel “Lake of Tears” by Veeraporn Nitiprapa.2026-05-14T13:26:34+07:00Nora-sei -aphidej.sup@mbu.ac.thAphidej Suphaaphidej.sup@mbu.ac.th<p>This independent research, "A Study of Presentation Techniques in the Novel 'Lake of Tears' by Veeraporn Nitiprapha," aims to examine the presentation techniques used by the author’s to convey the story and ideas in the novel. The researcher focuses on analyzing key literary elements including plot, characters, atmosphere, setting, location, and narrative methods that evoke emotion and feeling in the reader.</p> <p>The study found that the novel employs several distinctive narrative techniques, such as portraying human states of mind, loss, pain, and loneliness through characters; using settings and atmosphere to create feelings of sadness, mystery, and oppression; and employing literary language characterized by imagery and symbolism To convey profound meanings about memory, loss, and life's suffering, the author also employs a narrative style that blends reality and imagination, giving the story deep emotional and intellectual dimensions.</p> <p>Therefore, the narrative techniques used in this novel play a crucial role in creating the atmosphere of the story, conveying the experiences and feelings of the characters, and enabling readers to deeply understand the core message of the story.</p>2026-08-13T00:00:00+07:00Copyright (c) 2026 Journal of MBU Humanitieshttps://so06.tci-thaijo.org/index.php/JoMbuHu/article/view/295894Sexual Fluidity and Literary Representation A Comparative Analysis of Prasertsak Padmarid’s Kibad and Ladrs’s Ankamkarun2026-06-08T16:29:11+07:00Kingkan somdeeaphidej.sup@mbu.ac.thAphidej Suphaaphidej.sup@mbu.ac.th<p>This research compares gender fluidity in "Kee Bad" by Prasertsak Padmarit and "An Kam Karun" by Ladrs. It analyses character identities before and after disclosing their sexual orientation, focusing on self-expression, self-perception, family, and social roles—including their status as son/daughter, husband/wife, parent, and in society.</p> <p> The study found that the characters in both novels exhibited gender identities that did not align with their assigned sex at birth, and clearly displayed gender fluidity. Prior to coming out, the characters often faced confusion, discomfort, and pressure from family and societal values, preventing them from fully expressing their true selves. However, after coming out, the characters demonstrated increased courage and self-confidence, even as they continued to face limitations and societal challenges. Furthermore, both novels reflected that masculinity and femininity are not static but are adaptable and fluid depending on life experiences and social contexts.</p>2026-08-13T00:00:00+07:00Copyright (c) 2026 Journal of MBU Humanitieshttps://so06.tci-thaijo.org/index.php/JoMbuHu/article/view/296262The Influence of Coaches' Commands on the Emotional States and Concentration Levels of Male Basketball Players in Critical Situations2026-08-11T16:01:35+07:00พรทิพย์ ครามจันทึกphorntip09112520@gmail.comPichet Sayomphuvanartphorntip09112520@gmail.comAnupong Kamukamakulphorntip09112520@gmail.com<p>This research aimed to investigate the influence of coaches’ vocal command characteristics on the emotional states and concentration levels of male basketball players during critical situations. The sample consisted of 35 male basketball players who participated in operational competition testing. Data were collected using a 5-point Likert scale questionnaire and analyzed using percentage frequency weights. The findings revealed that in high-pressure situations requiring precision, such as free-throw shooting, a "calm and steady voice" was highly effective, with 34.3% of the participants reporting that it increased their focus to the highest level, and 25.7% to a high level. Conversely, negative vocal traits such as "reverberating shouting" and "rapid-paced commands during timeouts" induced panic and confusion, ranging from moderate to the highest levels. Furthermore, a commanding voice with "firm power" and the use of "clear, short cues" (e.g., "Squeeze," "Drive") significantly boosted players' confidence and reduced decision-making hesitation, with positive response rates exceeding 50%. These results indicate that basketball coaches must systematically manage psycholinguistic and sports psychology elements in their communication to optimize player performance under intense pressure</p>2026-08-13T00:00:00+07:00Copyright (c) 2026 Journal of MBU Humanitieshttps://so06.tci-thaijo.org/index.php/JoMbuHu/article/view/296432The 'Mutelu' Phenomenon: Religious Flexibility and Beliefs in Thai Society2026-06-05T15:29:21+07:00Machima Weerasilpmachwe@kku.ac.th<p>This academic article aims to analyze the sociological and anthropological dimensions of the "Mutelu" phenomenon to understand its belief structures, psychological motivations, and existence within contemporary and digital society. The study reveals that Thai society possesses a high degree of "Religious Flexibility," characterized not by strict adherence to exclusive monotheism, but by the seamless syncretism of pluralistic beliefs—including Buddhism, Brahmanism, animism, and folklore. Furthermore, psychological factors, particularly the self-serving bias mechanism, play a crucial role as a psychological coping strategy to manage vulnerability in an era of uncertainty. Ultimately, the Mutelu phenomenon has integrated into "Faith Capitalism," transforming faith into accessible spiritual goods and services. This entire paradigm does not indicate a decline in religion, but rather serves as a dynamic adaptation strategy, allowing religions and beliefs to thrive alongside individuals in a technology-driven world.</p> <p> </p>2026-06-30T00:00:00+07:00Copyright (c) 2026 Journal of MBU Humanitieshttps://so06.tci-thaijo.org/index.php/JoMbuHu/article/view/295816Integrating Artificial Intelligence to Enhance Thai Literature Learning2026-05-14T13:11:00+07:00Thucksin Kaewprasertthucksin.kaew@vru.ac.th Bunsanoe Triwisetbunsanoe.tw@bru.ac.th<p>This article aims to propose guidelines for integrating artificial intelligence into the teaching of Thai literature in order to enhance the quality of learning in alignment with learners in the digital age. It presents approaches for incorporating artificial intelligence into Thai literature instruction, along with an experiential learning model supported by artificial intelligence. This approach enables Thai language teachers and related educators to design learning activities that are consistent with the context of learners in the digital era. Furthermore, such an integrated approach to instruction may help learners access the values and aesthetic qualities of Thai literature through learning experiences that connect with real-life contexts, leading to meaningful and sustainable learning.</p>2026-06-30T00:00:00+07:00Copyright (c) 2026 Journal of MBU Humanities