Asian Journal of Traditional and Innovative Arts and Textiles https://so06.tci-thaijo.org/index.php/TIAT <p><strong>Asian Journal of Traditional and Innovative Arts and Textiles<br />ISSN 2821-921X(Online)</strong></p> <p><strong>Asian Journal of Traditional and Innovative Arts and Textiles is a double-blind peer-reviewed journal organized and published by Kalasin University. </strong><strong>Aims of the Journal The aims of the journal are:</strong></p> <p> 1. To strengthen the academic and research works among educators, scholars, and researchers from the fields of traditional and innovative arts and textiles.</p> <p> 2. To provide an academic platform for students, faculty staff both inside and outside of the university to share their new insights and discoveries about theoretical and experimental implications.</p> <p> 3. To promote the publication of academic works for serving society that can help solve problems of the community and society of faculty staff both inside and outside the university.</p> The Center of Excellence of Kalasin Phraewa Traditional Textiles of Kalasin University, Kalasin University en-US Asian Journal of Traditional and Innovative Arts and Textiles 2821-921X Editorial https://so06.tci-thaijo.org/index.php/TIAT/article/view/273433 Kittitanut Yanpisit Copyright (c) 2024 Asian Journal of Traditional and Innovative Arts and Textiles https://creativecommons.org/licenses/by-nc-nd/4.0 2024-04-30 2024-04-30 3 1 D The souvenir product design from Banana stalk carving of Ethnic group in the leaning resource area of Thai-Phuan Banphue museum Udon Thani Province https://so06.tci-thaijo.org/index.php/TIAT/article/view/270384 <p>This research aims to study and to take off Banana stalk carving composition of Thai-Phuan ethnic group Ban Phue District Udon Thani Province bring to souvenir product design and to design the souvenir product from Banana stalk carving in the learning resource area of Thai-Phuan Banphue Udon Thani Province. The qualitative research method was the interviewing a local philosopher of Banana stalk carving as concluded Banana stalk carving composition can identify into <span lang="TH">2 </span>types were the traditional pattern namely Fun Pla pattern, Fun Sam pattern, Dog Jig pattern and Teen Tao pattern (Puk Wan pattern) andthe modified pattern inspired by seeing the Buddha architecture namely Ngo pattern (Thai-Phuan accent calls Hngo), Khan Nang pattern (or Wan Lan pattern) and Nak pattern and providing Banana stalk carving workshop with <span lang="TH">30 </span>students, the satisfaction assessment of usefulness, the knowledge can apply to other activities, the satisfaction was the highest level, mean = <span lang="TH">4.35 </span>and testing result of applying knowledge to <span lang="TH">4 </span>sets of the souvenir product design such as fruit trays, T-shirt (short and long-sleeved shirt), magnet and glass of water by bringing the pattern composition to use design divide to <span lang="TH">2 </span>types such as the pattern structure or Tang Yuak structure and this pattern has <span lang="TH">2 </span>productions were the handicraft production (Painting and embroidery on T-shirt and molding Thai clay as the magnet) and the industrial production (Fruit tray by the carpenter, Heat Transfer Printing on T-shirt and glass of water) for the alternatives of Thai-Phuan Banphue community to produce the cultural souvenir in the future.</p> Kanittha Rungwannasak Chutiphong Khongsanthia Chanisara Phuetthonglang Tanakorn Inseang Watchara Trisutthi Witareenan Kosinthov Copyright (c) 2024 Asian Journal of Traditional and Innovative Arts and Textiles https://creativecommons.org/licenses/by-nc-nd/4.0 2024-04-18 2024-04-18 3 1 1 14 10.14456/tiat.2024.1 A graphic design for public relations of Udon Thani stray dog shelter https://so06.tci-thaijo.org/index.php/TIAT/article/view/270374 <p>A graphic design for public relations of Udon Thani Stray Dog Shelter aims to study the context, problems and needs of Udon Thani Stray Dog Shelter, Design graphicsfor public relations of Udon Thani Stray Dog Shelter, andAssess the satisfaction of graphics for public relations of Udon Thani Stray Dog Shelter. The information providers are 3specialists as theproject leader of Udon Thani Stray Dog Shelter, the infographic design expert, and the line sticker design expert. Data collection used interviews and satisfactionquestionnaires from 100 peopleofthe target group in the Udon Thaniprovince. The result elucidatedthatUdon Thani Dog Shelter Center is a campaign to solve stray dog problems, and wants to develop public relations media to attract people in Udon Thani province who are interested in the solutions of the stray dog problem.Graphic design to publicize the Udon Thani Stray Dog Shelter, including line stickers, infographics, and souvenirswas taking inspiration from stray dogs to design 2D charactersin manner of friendly and cute by using warm colors and easy to read typography. The evaluation of target group’s satisfaction indicatedLine stickers were found to be appropriate, beautiful, and friendly at the highest level (x̅=4.71). The Infographic designs can convey useful information at the highest level (x̅=4.67) and the suitability of souvenir products is at the most good level (x̅=4.70).</p> Piyathida Panboon Mariya Songpanya Copyright (c) 2024 Asian Journal of Traditional and Innovative Arts and Textiles https://creativecommons.org/licenses/by-nc-nd/4.0 2024-04-18 2024-04-18 3 1 15 29 10.14456/tiat.2024.2 Green Finance and Natural Capital in regards to Tax Assessment https://so06.tci-thaijo.org/index.php/TIAT/article/view/270170 <p>The purpose of the research is to point out the importance of Green Finance and Natural Capital and apply such concepts to the method of national budget calculation and tax assessment<span lang="TH">. </span>This article employs the method of studying related literature, in regards to Green Finance and NaturalCapital, in conducting the research<span lang="TH">. </span>The data has been collected secondarily and the result shall be presented in a descriptive form<span lang="TH">. </span>The findings of this show that, first, Green Finance or Environmental Finance is a concept that is about investments that relate to the environment<span lang="TH">. </span>The definition of Green Finance is crucial because having a clear definition would attract more investors and investments(to the Country<span lang="TH">) </span>since the investor will be able to know what they are investing in and estimate their return on investment<span lang="TH">. </span>Moreover, a clear definition of Green Finance will enable the Government to initiate a clear public policy that shall better protect the environment and its resources as a whole; second,Natural Capital which means capital, both biotic and abiotic, that stems from Mother Nature, is hard to calculate its valuation due to the fact that Natural Capital can be hard to see directly<span lang="TH">. </span>However, if nature is speculated closely, it can be seen that its capital can be calculated from the amount one would need to pay if such natural resource has disappeared or the value that one is willing to pay to enjoy such natural resource, thus, allowing us to better calculate the value of Natural Capital and even reflect such value on products or other goods that human consume daily<span lang="TH">. </span>With that said, realizing the concept of Natural Capital may enable tax assessments and national budget calculations to be more accurate in terms of reflecting the true value of such goods which could be better than assessing the value of goods and consumption based on their price at the point of sale or at the point of transaction<span lang="TH">. </span>Therefore, Green Finance and Natural Capital can lead to creating more income for the Government by taking Natural Capital into account when assessing each type of tax, these additional income shall then be used for public affairs and services<span lang="TH">. </span></p> Parin Jaruthavee Copyright (c) 2024 Asian Journal of Traditional and Innovative Arts and Textiles https://creativecommons.org/licenses/by-nc-nd/4.0 2024-04-18 2024-04-18 3 1 30 47 10.14456/tiat.2024.3 Tribal Sculpture Southern Lao People's Democratic Republic: Concepts of semiotics and folklore towards the presentation of representative images in contemporary art https://so06.tci-thaijo.org/index.php/TIAT/article/view/271908 <div><span lang="EN">This article is part of the research on “Tribal Sculpture Southern Lao People's Democratic Republic: Style, Wisdom, and Aesthetics towards the Creation of Contemporary Sculpture” aims to study semiotics and folklore in tribal sculpture of Lao PDR. and used as a framework for creative contemporary art on the issue of identity exploration. Cultural diversity and social criticism Use qualitative research methods. The target group is the Katu Ban Kan Don Mai tribe, Sekong Subdistrict. Three types of interviews are used in research: unstructured, structured, and observational. The data were analyzed using the concepts of Saussure's semiotics and Westhill's folklore. The study found that tribal sculptures are folklore objects that reflect social dynamics. Play a role according to spiritualism beliefs This is consistent with Saussure's comparison of sculpture as a grammatical unit of meaning. The shapes and stories have full meaning when connected to the context of rituals, people, and communities, influencing “Creating contemporary art through anthropological processes,” which is consistent with West Hill saying “The folklore of local cultures has always been the driving force of contemporary art.” which is affected by changes in the culture of nation-states It preserves identity at the conceptual level. to cope with social change politics and economics Therefore, the tribe had to adapt. The existence of the sculpture thus preserves the diverse identities of the tribes. The sculptures and rituals bring out folk wisdom to express identity in various forms. Today's rituals are a visual representation of the tribes affected by the changes. As a result, the adjustments created new meanings and functions for the sculptures that overlapped traditional beliefs. Therefore, introducing sculpture into contemporary art must pay attention to the interpretive context.</span></div> Bancha Kuonsamakhom Niyom Wongphongkham Vichoke Mukdamanee Copyright (c) 2024 Asian Journal of Traditional and Innovative Arts and Textiles https://creativecommons.org/licenses/by-nc-nd/4.0 2024-04-21 2024-04-21 3 1 48 68 10.14456/tiat.2024.4 Guidelines for developing the potential of faith-based tourism routes Through the dimensions of faith and belief in the Somdet Chao of the Songkhla Lake Basin https://so06.tci-thaijo.org/index.php/TIAT/article/view/271262 <p>The objectives of this research are 1) to search for roots, survey, and analyze the landscape. Related to the legend of Somdet Chao of the Songkhla Lake basin.2) To study guidelines for developing faith-based tourism. Through the power of faith in His Majesty the King of the Songkhla Lake Basin 3) To determine the route for faith-based tourism in the legend of His Majesty the King of the Songkhla Lake Basin. The research results found that Legend of the King of the Songkhla Lake Basin It can be defined as an important issue to be used as cultural capital for use in developing tourism potential. There are 6 points summarized as follows: 1) Belief in geography and the stability of life. “Stable foundation for life” Place of birth and burial of Somdet Chao Phakho “Wat Ton Liap” 2) Belief in good health Raising children is easy. Another important place "Napelle Monastery" 3) Beliefs in education, work, and finances at “Wat Dee Luang” if you come to pay homage It will help strengthen your position, duties, work, and finances. In addition, inside the chapel there is a Buddha image that villagers call by name. This Buddha statue says “Luang Pho Yim” or “Luang Pho Yim Hie Nok” “Phra Hie Nok” which means “Phra Six Fingers” if you come and pay homage will help strengthen your merit and prestige. and is auspicious for life in terms of "left over to eat, left over to use" 4) Belief in prosperity Wat Ratchapradit or Wat Pha Kho is the place where Somdej Chao Pha Kho stays for the Buddhist Lent. 5) Belief in protection from danger and safety. Idol of Somdet Chao Ko Yo. Buddha statue in the posture of Maravichai Beliefs of Ko Yo people It is considered a request for supernatural powers to inspire happiness. and enhance the prestige of protection as well. 5) Belief in safety, the image of Somdet Chao Ko Yo Buddha statue in the posture of Maravichai Beliefs of Ko Yo people It is considered a request for supernatural powers to inspire happiness. and enhances the prestige and protection as well. 6) Belief in miracles, the power of the tiger. Legend has it that Somdet Chao Ko Yai meditated and used his mental powers to lift large rocks and place them in an orderly manner. This kind of technique is called "tiger power". The results of the research found that the legend of Somdet Chao of the Songkhla Lake Basin Can be filtered to determine interesting travel routes as follows: 1) One Day Trip travel route to pay homage to the noble monks. “Following in the footsteps of Somdet Chao Ko Yo” 2) One Day Trip, a travel route to pay homage to the noble monks. “Following in the footsteps of Somdet Chao Phakho Stepping on fresh sea water” 2) One Day Trip, travel route to pay homage to the noble monks “Following in the footsteps of Somdet Chao Koh Yai” 3) Tourist route “Following the footsteps of the legend of Somdej Chao Songkhla Lake Basin” And in setting the direction for the development of spatial potential to completely increase the capacity of community tourism, namely "Dhamma Park following the birthplace of Luang Pu Thuat" which is divided into The “Three Dhamma Paths” include the natural path, the Dhamma path, and the cultural path. This will create completeness in the tourism routes that have historical stories. Legend of Somdet Phakho (Luang Pu Thuat steps on fresh sea water)Experience people's way of life Local food, local desserts and bring benefits to the community in creating jobs and careers to continue to happen in a sustainable way.</p> Cherdchai Ongsakul Sakrin Siriphatto Copyright (c) 2024 Asian Journal of Traditional and Innovative Arts and Textiles https://creativecommons.org/licenses/by-nc-nd/4.0 2024-04-22 2024-04-22 3 1 69 85 Museums and Cultural Heritage: Collection of selected articles from the 1st Museum and Cultural Heritage Academic Conference Project. https://so06.tci-thaijo.org/index.php/TIAT/article/view/272876 Bharamee Langkulanont Suchada Surangkul Copyright (c) 2024 Asian Journal of Traditional and Innovative Arts and Textiles https://creativecommons.org/licenses/by-nc-nd/4.0 2024-04-21 2024-04-21 3 1 86 93