https://so06.tci-thaijo.org/index.php/thaikhadijournal/issue/feed The Journal of the Thai Khadi Research Institute 2025-06-24T17:02:32+07:00 Dr.Asa Kumpha tkri.tu@gmail.com Open Journal Systems <p><strong>Focus and Scope</strong></p> <p><strong>The Journal of the Thai Khadi Research Institute </strong>is an academic journal published twice a year (1st issue January - June, 2nd issue July - December). It aims to promote research and disseminate research articles, academic articles, and book reviews on Thai studies focusing on social science, humanities, political science, history, religious, art and culture. The Journal of the Thai Khadi Research Institute has implemented an Article Processing Charge (APC) of 4,000 baht for a Thai language article and 6,000 baht for an English article. This journal uses double-blinded peer review. Views and opinions expressed in this journal are not necessarily those of the editors or editorial board, but are of those individual contributors.</p> https://so06.tci-thaijo.org/index.php/thaikhadijournal/article/view/286261 Colonization of the Times: A Periodization Problem in Lanna History 2025-06-24T14:08:34+07:00 Parit Chiwarak parit.chiw@gmail.com <p> Modern periodization in Lan Na history resulted from the introduction of modern historicism in studying history in the early 20<sup>th</sup> century, after which various periodization models for Lan Na history have been proposed. However, as the study of Lan Na history has never been independent of the study of Thai/Siamese history, all the proposed models were influenced by the mainstream lens among the Thai/Siamese elite-intellectuals. The <em>Phongsawasan Yonok</em> model, the first modern periodization model of Lan Na history proposed in the closing of the 19<sup>th</sup> century by Chaem Bunnag, was shaped by adopting the way the lens and methods of British Colonial historians in studying Indian history, which was popular among the Siamese elite-intellectuals of the times. Similarly to the British periodization model of Indian history, the model subsequently consisted of the orientalist racist notion and helped legitimize Bangkok’s colonization of Lan Na. Also, the “main periodization model,” generally accepted in the study of Lan Na history nowadays, despite being an answer to a localist call for historical autonomy from Thai/Siamese historiography, still contains an anti-Burmese attitude, which is a core idea of the royal nationalist narrative of Thai history, and was exploited by the Thai state in their propaganda effort during the World War and the Cold War eras.</p> 2025-06-24T00:00:00+07:00 Copyright (c) 2025 https://so06.tci-thaijo.org/index.php/thaikhadijournal/article/view/286263 Objects, Humans, and Spirits Coexist Through People's Sensory Experiences Along the Mekong River 2025-06-24T14:41:54+07:00 Chanang Umparak c.umparak@gmail.com <p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; This article reviews conceptual frameworks with preliminary field data to study ecology and sensory ideas. It integrates Arturo Escobar’s pluriverse framework and Timothy Ingold’s material ecology. Mekong&nbsp; River conservation areas are examined from the viewpoint of Ingold’s non - anthropocentric&nbsp; approach to environmental studies to analyze material culture and ecological&nbsp; anthropology. Following the actor - network theory (ANT), how Mekong River communities in Ban Samrong, Pho Sai District, and Ban Ta Mui, Khong Chiam District, Ubon Ratchathani Province develop concepts and practices to coexist with their environment is studied. Results are that each site has unique experiences, perspectives, and understandings of the physical and intangible worlds as a pluriverse. This shift in focus from human - centered to broader ecological interactions&nbsp; suggests that traditional study methods are inadequate. &nbsp;</p> 2025-06-24T00:00:00+07:00 Copyright (c) 2025 https://so06.tci-thaijo.org/index.php/thaikhadijournal/article/view/286267 Thung Kula Rong Hai History from 1957 to 2017 2025-06-24T15:14:38+07:00 Thanakit Puchanha thanakit0197@gmail.com Narawit Daoruaeng narawit131976@gmail.com Thaveesilp Subwattana husoc.msu@msu.ac.th <p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; This research studied development and changes in Thung Kula Rong Hai history, including the social context inspiring local historiography. Results were that significant changes derived from the social context, leading to diverse works on infrastructure development. Academic social history was an increasingly prominent in intellectual history. After the Thai popular uprising of 14 October 1973, community culture expanded through the 1990s, including a movement opposing globalization and heeding village communities after the 1997 Asian Financial Crisis, as well as attempts to deconstruct 1950s rhetoric. These social contexts impacted Thung Kula Rong Hai writings on diverse educational issues, including society, economics, culture, spirituality, and archaeology.</p> 2025-06-24T00:00:00+07:00 Copyright (c) 2025 https://so06.tci-thaijo.org/index.php/thaikhadijournal/article/view/286272 The Potential Influence of Thai Art on Myanmar Buddha Images Associated with Navagraha Days 2025-06-24T15:42:37+07:00 Sura Piriyasanguanpong sura.pir@mbu.ac.th <p>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; In Burmese art from independence in 1948 to the present, creating&nbsp; Buddha images has been related to the Navagraha and daily life. The significant characteristic is that Buddha images were installed together with the original belief in worshipping the nine planets, by choosing different postures or mudras for each Buddha image for the sake of differentiation.</p> <p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; However, this approach is not a historical tradition in Burmese art, may have been adopted from Thai art, in which Buddha images were thus created since the reign of King Rama III (Nangklao).</p> <p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; This study offers examples of Buddha images in Burma and in Thailand (created by Burmese artisans) analyzed art historically. The goal is to elucidate the artistic relationship between Burma and Thailand through the Buddha&nbsp; images representing the Navagraha and daily life.</p> 2025-06-24T00:00:00+07:00 Copyright (c) 2025 https://so06.tci-thaijo.org/index.php/thaikhadijournal/article/view/286273 Illustrated Books and Comics Lauding His Majesty King Bhumibol Adulyadej the Great: Dynamics of Regal Representation in Contemporary Panegyric Literature 2025-06-24T15:57:43+07:00 Kanita Homsab Kui-Kanitah@hotmail.com Thanya Sangkhaphanthanon phaitoon.thanya@gmail.com <p>This research studied dynamics of contemporary panegyric literature through regal representation in illustrated books and comics lauding His Majesty King Bhumibol Adulyadej the Great (Rama IX) published between 1999 and 2021. Results indicated ten representations of Rama IX transformed from previous representations in Thai panegyric literature: 1) as an expert in the modern interdisciplinary fields; 2) as problem solver of contemporary crises; 3) as initiator of the sufficiency economy and new agricultural theory; 4) as devoted to his subjects; 5) as teacher instructing a nation; 6) as a civic example; 7) as grateful royal son; 8) as diligent and courageous; 9) as a devoted dog owner; and 10) as a creative, witty monarch. In these depictions Rama IX is seen as an ordinary mortal with hopes and ethics. As such, he was a suitable ruler for contemporary Thai society, differing from prior social contexts.</p> 2025-06-24T00:00:00+07:00 Copyright (c) 2025 https://so06.tci-thaijo.org/index.php/thaikhadijournal/article/view/286275 Creative Product Procedures: Wat Phrarub Community Salted Eggs Developed by Applying Local Lore and Temple Museum Knowledge 2025-06-24T16:29:25+07:00 Tiamjit Puangsomjit tiamjit@hotmail.com <p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Mae Fuen Salted Eggs is a local product created by the local lore of Wat Phrarub community residents, relying on the creative economy and product design. The four-step creative process comprises: 1) relating body of knowledge linked to the temple, community, local lore, invention, products, service, museum collections, and academic knowledge; 2) product creation, including name, branding, packaging, label, and ingredients; 3) value added based on concepts and theories chosen as the concept framework such as illuminating local lore by manufacturing salted eggs for product use; and 4) seeking stakeholder cooperation from the temple, community, scholars, and local residents informed and experienced with lore. Collaboration is vital for successful in transmission of creative products for popular recognition and acceptance as well as future sustainable growth.</p> 2025-06-24T00:00:00+07:00 Copyright (c) 2025 https://so06.tci-thaijo.org/index.php/thaikhadijournal/article/view/286277 How to Live with Microbes in the Specialty Coffee World: A Case Study of Small - Scale Coffee Farmers and Processors in Chumphon Province 2025-06-24T16:43:21+07:00 Nutsuda Punsab palmnsd.p@gmail.com <p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; This multispecies ethnographic article examines how green coffee beans are produced by humans and microbes. In robusta&nbsp; coffee farms and processing sites in Chumphon Province, a growing specialty coffee market significantly influences smallholder coffee production and processors in Chumphon to heed bean quality, especially to ensure flavor precursors, exclude pathogenic microbes, and meet market standards. Multisensory approaches, rather than ocularcentrism, reveal intricately entangled relationships of producers, processors and microbes to produce and control the quality of fermenting, drying and storing in pluvial southern Thailand. Uncertain weather conditions directly affect coffee quality, safety, and flavor on production lines.</p> 2025-06-24T00:00:00+07:00 Copyright (c) 2025 https://so06.tci-thaijo.org/index.php/thaikhadijournal/article/view/286279 (Before) Thai Football Goes to the World Cup 2025-06-24T17:02:32+07:00 Thanapiti Thipa pt_929_freedom@hotmail.com <p>N/A</p> 2025-06-24T00:00:00+07:00 Copyright (c) 2025