A Historical Study of Miao Films in Guizhou, China During 1950-2024

ผู้แต่ง

  • Zijia Liu Faculty of Fine and Applied Arts, Khon Kaen University, Thailand
  • Pat Kotchapakdee Faculty of Fine and Applied Arts, Khon Kaen University, Thailand
  • Pitipong Pimpiset Faculty of Fine and Applied Arts, Khon Kaen University, Thailand

DOI:

https://doi.org/10.14456/tiat.2025.8

คำสำคัญ:

Miao, Film, Historical study

บทคัดย่อ

Through the method of qualitative research, this study comprehensively combs and analyzes the historical development of Guizhou Miao films from 1950 to 2024. This research is divided into two main periods, 1950-1999 and 2000-2024, and probes into the characteristics and changes of Miao films from two dimensions of plot and narrative respectively. Through observation, interview, and survey tools, a total of 30 individuals were interviewed for this research. Through the theoretical frameworks of folklore studies and narratology, the research findings reveal that Miao film from 1950 to 1999 primarily focused on depicting the life struggles and cultural heritage of the Miao people, as well as their adaptation to new societal contexts. In contrast, Miao films produced between 2000 and 2024 exhibit greater diversification and modernization, integrating contemporary social issues while showcasing the living conditions and spiritual outlook of the Miao people in the new era. This study not only fills a critical gap in the historical research of Miao film but also offers innovative perspectives for the preservation and development of Miao cultural traditions.

เอกสารอ้างอิง

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ดาวน์โหลด

เผยแพร่แล้ว

2025-08-18

รูปแบบการอ้างอิง

Liu, Z., Kotchapakdee, P. ., & Pimpiset, P. . (2025). A Historical Study of Miao Films in Guizhou, China During 1950-2024. Asian Journal of Traditional and Innovative Arts and Textiles, 4(2), 98–115. https://doi.org/10.14456/tiat.2025.8

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