Identity and beliefs in the murals of Wat Noen Sung Khlong Narai Subdistrict, Mueang District, Chanthaburi Province

Abstract

This study investigates the identity and belief systems depicted in the mural paintings of the ordination hall at Wat Noen Sung, Khlong Narai Subdistrict, Mueang District, Chanthaburi Province. The research aims were: 1) to examine the unique local identity presented in Chanthaburi’s mural paintings, and 2) to explore how these paintings reflect local beliefs, traditions, and rituals. Data were collected through in-depth visual analysis of the murals, supported by participatory observation alongside local scholars, and systematically recorded using structured data forms. The analysis employed a tripartite participatory process involving the researcher, community experts, and historians, resulting in a comprehensive database for further study. The findings reveal that the murals of Wat Noen Sung express local identity in four key dimensions: narrative content, artistic styles and techniques, symbolic representation, and the portrayal of beliefs and folk wisdom. Furthermore, these murals reflect aspects of community life and culture in three areas: traditional clothing, social conditions, and local beliefs and customs. Collectively, the murals provide insight into the community’s worldview regarding nature, environment, daily life, and cultural heritage in the historical context of the area surrounding Wat Noen Sung.