“(Un)Filled” Communicating Absence and Rebirth through Natural Material Sculpture

Abstract

This article explores the concept and creative process of a natural-material sculpture titled “Filled (Un)Full.” The work reflects the complex emotional experience of a pregnant woman who simultaneously confronts the loss of her mother. The study aims to analyze the symbolic use of gourds, bamboo, and palm-leaf rope, together with weaving and interlacing techniques, to communicate dual emotional states: grief from maternal loss and hope for the birth of new life. This research adopts a qualitative approach using practice-based art research methodology. Primary data are derived from a case study based on the artist’s personal experience, while secondary data are gathered through literature review, including research articles, reports, and academic documents. These sources are used to conduct a semiotic analysis of materials and forms. The findings show that the integration of natural materials with hybrid craft techniques enabled the creation of a sculptural work expressing fragility, resilience, and the cyclical nature of life. The gourd symbolizes the womb and vessel of life; bamboo represents support and the void that cannot be fully filled; and palm-leaf rope signifies bonds of connection both lost and emerging. The work ultimately invites reflection on loss, motherhood, and healing through reconnection with nature.