Ramayana's royal thesis to form of Khon performance: A case study of Khon Scene Ramayana story: Ronnapak Asurin Indrajit

Authors

  • Pravit Rittibul Faculty of Fine and Applied Arts, Rajamangala University of Technology Thanyaburi, Pathum Thani 12110, Thailand

DOI:

https://doi.org/10.48048/ajac.2022.256708

Keywords:

Ramayana's royal thesis, Khon Scene, Ramayana, Ronnapak, Indrajit

Abstract

Articles of royal drama Ramayana to form Khon performance: a case study of Khon Scene Ramayana story: Ronnapak Asurin Indrajit, it is a qualitative research in the form of conservation research with an objective to study the history development of the show forms and elements of the Khon Scene performance Ramayana story: Ronnapak Asurin Indrajit from Ronnapak Chubson to Ravana gave his name. The study tools were structured interview forms and participatory observation content analysis and summarize the discussion descriptive presented in an academic format and in show form.

The results of the research showed that the performance of the Khon Scene Ramayana story: Ronnapak Asurain Indrajit is an improvement from the Ramayana drama. His Majesty King Buddha Yodfa Chulalok (King Rama 1) Volume 1 is a Khon script used for performances by Ajarn Panya Nittayasuwan, edited by Ajarn Seree Wangnaitham. Next Ajarn Charan Poonlarp has adapted the Khon script of Ajarn Panya Nittayasuwan to make the chapter more concise with the time limitation of the show which is exhibited at the publicity event for the public to see Artist - Silpakorn (Mr. Somrak Nakpluem) at the National Theater (Small Theater) on September 21, 2007, presenting the performance in the form of Khon Scene which is divided into performances that use the scene to indicate the location, use dialogue, dance according to the lyrics and the song Na-phat in the story uses a chimney orchestra to play along with the performance which standing costume of performers. The research team has been transferred the dance movements and performance styles from experts and applied to the theory of the process of transferring dance moves to students in the field of Thai Dramatic Arts Studies, department of Dramatic Music, faculty of Fine and Applied Arts Rajamangala University of Technology Thanyaburi and then presented in the form of academic papers and performances.

References

Abic lifestyle. (2022, May 11). Khon performance.Pak Asurain Indrajit. Retrieved fromhttps://www.youtube.com/watch?v=sC8l9isQ02Q.

Chancharoen, R. (2013). Thai dance for aesthetic enhancement by inspecting observing the light and sound

performance, Khon Dee Sri Ayutthaya. (Dissertation Doctor, Chulalongkorn University, Thailand).

Fine Arts Department. (2009).Khon, the genius ofThai Dance Arts. Bangkok: Rungsilp Printing Company.

Hokphanna, N., et al. (2019). Khon Chak onRamayana of Scene of the Mangkorngun's War : of Kesornthamala Arsa. (Master’s Thesis, Rajamangala University of Technology Thanyaburi, Thhailand.)

Horathibodi, P. (1942). Jindamanee, Volumes 1-2 with notes about Jindamanee and Jindamanee book, King Borom-urn edition. Bangkok, Thailand: Chulalongkorn University.

Jaimano, B. (2012). Composing poems. Bangkok, Thailand: Kasetsart University.

Klamcharoen, A., et al. (2014). Khon. Bangkok, Thailand: Department of Cultural Promotion Ministry of Culture.

Natayakul, S. (2006). The arrangement of colors in the performing arts. Bangkok, Thailand: Mahasarakham University.

Manisin, R. (1997). Aesthetics of Thai Dramatic Arts. Bangkok, Thailand: Suan Dusit Rajabhat Institute.

Office of the National Cultural Commission. (1999) .Thai performing arts. Bangkok, Thailand: Religious Printing Press.

Pramoj, K., M.R.A. (1983). Thai Dramatic Arts. Bangkok, Thailand: Thai Wattana Panich.

Rittibul, P. (2020). Khoncology: Art of Siam. (2nd ed.). Bangkok, Thailand: Triple Education Co., Ltd

Singhanat, P. (M.P.P). Ramayana Drama (Khon, Lakhon, Nhang, puppet). Bangkok, Thailand: Chulalongkorn University Press.

Soontranon, C. (2011). Culture and belief in Khon performance. Bangkok, Thailand: Ramkhamhaeng University.

Soontranon, C., et al. (2013). Khon Achariyanatakam Siam. Bangkok, Thailand: Amarin Printing and Publishing Company Limited.

Soontranon, C. (2017). Pakinka SaraKhon. Bangkok:Fine Arts Department.

The Fine Arts Department. (1972). The Ramayana drama, Volume 1. (Reprint No.6). Bangkok: Phrae Pittaya Publishing House.

Thongnim, T. (2012). Khon. Bangkok:Odeon Stowe Publishing House.

Warisarapuricha, K. (2009). Drama Scene Work 2. Bangkok: Chulalongkorn University Press.

Thepwong, S. (2005). Dramatic arts for elementary and higher education teachers. (2nd ed.). Bangkok, Thailand: Odeon Store.

Interview

Poonlarp, C. (2022, April 4) Personal communication [personal interview]

Downloads

Published

2022-08-17

How to Cite

Rittibul, P. (2022). Ramayana’s royal thesis to form of Khon performance: A case study of Khon Scene Ramayana story: Ronnapak Asurin Indrajit. Asian Journal of Arts and Culture, 22(2), 256708. https://doi.org/10.48048/ajac.2022.256708

Issue

Section

Research Articles