A Study of the Elements of Muay Thai Dance Performance
Main Article Content
Abstract
This article is part of the research on Thai boxing dancing: an analysis of the award-winning works of Thailand. The researcher studied the theoretical concepts used in the research. It consists of the concept of martial arts for self-defense in the genre of Muay Thai. Concepts of research regulations in the field of fine arts. Concepts of 8 elements of performing arts. Concepts of contemporary performing arts in order that use in data analysis and synthesis.
The study found that Regarding the martial art of Thai Muay Thai, there are 2 types of postures: 1) Main Boxing 2) Muay Keaw, there are 15 main postures, 15 lace postures and 64 boxing postures, using the body as a weapon, 9 of which are 2 fists, 2 feet, 2 knees, 2 elbows and 1 head.
Research in fine arts, there are specialized forms that can be divided into 4 main fields: visual arts, musical arts, dance, and performing arts. The format has a method and steps that are systematic and orderly in collecting and researching Information from which knowledge can be derived from facts and can be explained academically and supports the concept of research that meets the objectives and is compiled through the research methodological process.
Elements of performing arts, the elements of Muay Thai dance performances can be classified as follows: 1) the script 2) the actors 3) the performance of the dancing style or performing arts. 4) performance area 5) props 6) costumes 7) sound effects and 8) lighting. The form of Muay Thai dancing is a contemporary performing art with a variety of applied sciences, presented through the concept of all 8 elements of performing arts, with presentations through contemporary performing arts that combine vigorous fighting with Thai customs that are worth studying to lead to further development of other forms of art and culture.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
© 2018 by Asian Journal of Arts and Culture, Walailak University. All rights reserved.
References
Boonpeng, S. (2013). Contemporary Thai dance. (/Ph.D. Dissertation, Mahasarakham University, Thailand).
Buasonth, R. (2015). Qualitative educational research. Bangkok, Thailand: Chulalongkorn University Printing House.
Kantamara, S. (2010). Mae Mai Muay Thai Self-Defense Art. Bangkok, Thailand: Chulalongkorn University Printing House.
Kulphisarn, T. (2020). Teaching documents for the ERA 317 course. Dance: Techniques and Styles of Textbook Projects and Teaching Documents. Fiscal Year 2020. Bangkok, Thailand: Faculty of Fine and Applied Arts Srinakharinwirot University.
Metanee, S. (2022). Research regulations in fine arts. Faculty of Creative Industries Rattana Bundit. Bangkok, Thailand: University Bangkok.
Pinijsarn, N. (2016). A study of trends, needs and possibilities to open a master's degree program in applied drama and contemporary performing arts. Journal of Fine Arts fine arts Thammasat University, 11(1),77-104.
Saithongkam, J. (2018). Thai dance, dance, dance, drama, Khon. Bangkok, Thailand: Nucha Phim.
Sensai,P. (2019). Drama Philosophy. Faculty of Fine and Applied Arts. Bangkok, Thailand: Mahasarakham University Maha Sarakham.
Suhongsa, C. (2002). An Introduction to Muay Thai Instruction Manual. Bangkok, Thailand: Bannakit.
Sunpongsri, K. (2016). Aesthetics art philosophy Theory of Visual Arts, Art Criticism. Bangkok, Thailand: Chulalongkorn University Printing House.
Tanprasert, W. (2020). The Creative Style of Dance from Yao Payakorn Krungsri Ayutthaya Song. Journal of Ayutthaya Studies. Institute of Ayutthaya Studies Phra Nakhon Si Ayutthaya Rajabhat University, 12(2), 66-79.
Wongsayannawa. (2009). The diversity of cultural diversity. Bangkok, Thailand: Printing House.