Research on Digital Huishan Clay Figures
Article Sidebar
Main Article Content
Abstract
Huishan clay figures originated from the representative of Chinese clay figures and have a history of more than two programminghundred years. However, with the development of society and economy, the traditional handicraft of Huishan Clay Figure is gradually facing extinction. Nowadays, with the rapid development of information technology, digital technology has been applied to the study of intangible cultural heritage as a kind of efficient technical means, which plays an important role in the field of cultural inheritance and design innovation. This thesis will take Huishan clay figures as a research sample, and through the innovative design thinking process of carrying out computer-aided craft research, it will propose the strategy of digital craft to provide new ideas for realizing the inheritance and development of traditional craft in modern manufacturing, and lay the foundation for further integrating design and innovation, and developing highly personalized and customized new materials, new structures and new forms.
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
© 2018 by Asian Journal of Arts and Culture, Walailak University. All rights reserved.
References
Banfi, F., Pontisso, M., Paolillo, F. R., Roascio, S., Spallino, C., & Stanga, C. (2023). Interactive and immersive digital representation for virtual museum: VR and AR for semantic enrichment of Museo Nazionale Romano, Antiquarium di Lucrezia Romana and Antiquarium di Villa Dei Quintili. ISPRS International Journal of Geo-Information, 12(2), 28.
Concepcion, J. P., Vilbar, A. P., Camello, L. M. S., & Cabrera, C. L. M. (2023). Integrating CAD to University’s Social Enterprise to Promote Local Weavers’ Livelihood and Traditional Craft Preservation (pp. 282-291). In Proceedings of the Novel & Intelligent Digital Systems Conferences. Cham, Switzerland: Springer Nature.
Eskak, E., & Salma, I. I. R. (2020, November). Utilization of artificial intelligence for the industry of craft. In Proceedings of the Proceedings of the 4th International Symposium of Arts, Crafts & Design in South East Asia (ARCADESA). Yogyakarta, Indonesia: SSRN.
Huang, M., Zhang, Z., & Zhang, Y. (2023). Research on Multimodal Digital Scene Construction Strategy Based on User Experience. Design Art Research, 12(2), 63-69.
Li, D., Yu, Y., & Zhang, L. (2019). Digital Dissemination of Traditional Handicrafts in the New Media Era. Publishing Wide Angle, 2019(01), 23-26.
Liu, J. (2019). Making data live by content construction: simply speaking, the application of museum cultural heritage data. Journal of China Computer Society, 15(9), 16-22.
Luo, T., & Zheng, D. (2024). Research on the integration and innovation of traditional handicraft YI ethnic group embroidery art design based on artificial intelligence. Furniture and Interior Decoration, 31(08), 13-16.
Nørgaard, H. W. (2024). Theory and experiment: an interdisciplinary collaboration with the aim of a better understanding human craft activities. Time and Mind, 17(1-2), 135-155.
Nørgaard, H. W. (2024). Theory and experiment: an interdisciplinary collaboration with the aim of a better understanding human craft activities. Time and Mind, 17(1-2), 135-155.
Qin, J. (2008). Research on information visualization design method in cultural heritage protection (Doctoral Dissertation). China: Tsinghua University.
Ratalewska, M. (2024). Use of ICT and AI in design and product development by SME’s in the creative sector, including craft and artisan makers. Scientific Papers of Silesian University of Technology, 2024(205), 515-531.
Reddy, M. D. M., Basha, M. S. M., Hari, M. M. C., & Penchalaiah, M. N. (2021). Dall-e: Creating images from text. UGC Care Group I Journal, 8(14), 71-75.
Sharma, E. (2016). Digitalization of motifs based on Indian folk paintings through CAD and their adaptation on apparels using digital printing technique. Research Journal of Family, Community and Consumer Sciences, 4(1), 1-10.
Shen, Y., & Yu, F. (2021). The Influence of Artificial Intelligence on Art Design in the Digital Age. Scientific Programming, 2021(03), 1-10.
Shi, C. (2022). The path to revitalizing traditional intangible cultural heritage Huishan clay figurines in the digital age. Screen Printing, 2022(16), 31-35.
Wang, Y., & Cheng, Z. (2022). Exploration of traditional revitalization under design intelligence system. Furniture and Interior Decoration, 29(09), 6-9.
Xu, W., Long, C., Wang, R., & Wang, G. (2021). DRB-GAN: A dynamic resblock generative adversarial network for artistic style transfer (pp. 6383-6392). In Proceedings of the 2021 International Conference on Computer Vision (ICCV2021). Montreal, QC, Canadas: IEEE.
Zhang, A. (2022). The intervention, reflection, and resolution of digital media in the modern transmission of traditional handicrafts. Ethnic Art Research, 36(06), 18-23.
Zhang, L., & Zhu, R. (2019). Research on the Three-Dimensional Digital Preservation and Dissemination of Intangible Cultural Heritage: The Case of Huishan Clay Figures. Decoration, 2016(08), 08-12.
