A Study of the Values of E-San Sermon Chanting in the Bun Jak Khao Tradition in Mueang District, Udon Thani Province

Abstract

This research aimed to: 1) study the principles of Buddhist preaching and Buddhist teaching methods reflected in Isan melodic preaching (Thesn Lae Isan) in the Boon Chaek Khao merit-making tradition according to Buddhist teachings; 2) investigate the forms of Isan melodic preaching practiced in the Boon Chaek Khao tradition of communities in Mueang District, Udon Thani Province; and 3) examine the values reflected through Isan melodic preaching in the Boon Chaek Khao tradition of these communities. This qualitative research collected data through in-depth interviews with 25 key informants, including monks and laypersons. The data were analyzed using inductive content analysis and presented through descriptive interpretation.
The findings revealed that:
1. The principles of preaching and Buddhist teaching methods reflected in Isan melodic preaching are rooted in the Buddhist tradition of Dhamma exposition dating back to the time of the Buddha, particularly the example of Venerable Soṇa Kuṭikaṇṇa, who was renowned for his eloquent and melodious recitation of the Dhamma. Consequently, Isan melodic preaching has evolved as a form of Buddhist propagation adapted to local cultural contexts while preserving the essence of Buddhist teachings.
3. Isan melodic preaching in the Boon Chaek Khao tradition serves as a process of Buddhist dissemination that integrates Dhamma principles with local folk arts and culture through melodic chanting and Saraphanya-style recitation. Its content emphasizes gratitude, merit-making, the law of kamma, dedication of merit, and communal harmony, while employing local dialects and folk wisdom as effective media for conveying Buddhist teachings.
3. The values reflected through Isan melodic preaching include gratitude toward ancestors, faith in Buddhism, community solidarity, the strengthening of family and kinship relationships, and the preservation of local wisdom, cultural heritage, and Isan traditions.