The Development of Chinese Pop Music Education
Article Sidebar
Main Article Content
Abstract
With the continuous development of the times, Chinese pop music has shown a trend of prosperity and development, which has been widely spread and has become a modern mass art deeply loved by people. Chinese pop music is in line with the spirit of the people, and its form and content are becoming increasingly realistic, gaining people's recognition. Based on this, this paper starts with an overview of pop music, analyzes its characteristics in-depth, clarifies the origin of Chinese pop music, and explores its development process.
Article Details
References
Gao, S., & Zhang, Y. (2020). Development characteristics and commercial value of
China Pop Music Festival. Chinese and Foreign Entrepreneurs, (19).
Jia, L. (2012). The soft side of pop culture drags down China's soft power. People's
Forum, (6), 74-75.
Tan, Q. (2020). The trend of national culture in Chinese pop music: taking "classic chanting" as an example. House of Drama, 2020, (08).
Wang, W. (2020). On the Mainstream Popular Singing Style of Chinese Mainland in
the 21st Century: Taking Sun Nan and Han Hong as Examples. Journal of
Xinjiang Academy of Arts, (02).
Wang, Y., & Bao, J. (2009). The Voice on the Sea - A Talk about Shanghai's Old
Songs. Shanghai. Shanghai Music Press.
Xiang, F., & Liu, G. (2020). New Achievements in the Communication Research of
Contemporary Pop Music: A Review of the Research on the Communication and
Reception of Contemporary Pop Music in China. News and Writing, (09).
Xiang, X. (2020). Re-discussion on the relationship between Li Xianglan and Chinese
pop music: thought from the 100th anniversary of Li Xianglan's birth. Music
Exploration, (03).
Ye, M. (2020). The "Lingnan School" of Chinese pop music: A preliminary study of
the reasons for the prosperity of Guangdong pop music in the 1980s and 1990s.
Contemporary Music, (05).
Zhang, W., & Liu, Q. (2020). The development of contemporary Chinese pop music
from the perspective of communication. Contemporary Music, (04).
Zhou, H. (2005). Analysis of the aesthetic value of "elegant music" and "popular
music". People's Music, (11), 30-33.