"Hometown is Beijing" The Elements of Learning Peking Opera with the Style of Beijing Culture in Modern Songs
Main Article Content
Abstract
Peking opera expresses the drama of traditional Chinese society and is included in the UNESCO Intangible Cultural Heritage List by the United Nations. The integration of the elements of Peking Opera and opera makes the style of our vocal music works more distinctive nationality and style. "Xi Ge" is a new type of music developed in the late 1980s and early 1990s. It refers to songs close to a specific type of drama in terms of musical form or singing style. This article takes "Hometown is Beijing" as an example to analyze the use of Beijing opera elements combined with Beijing culture in modern songs. Peking opera is the crystallization of Chinese traditional culture. She is known as the quintessence of the country because she contains the essence of local opera in many parts of our country and is a concentrated expression of the art of Chinese opera. Peking opera is a drama performance that integrates singing, thinking, doing, and fighting. In the mid-nineteenth century, Peking opera, conceived in the folk and integrated the drama elements of the north and south of China, developed maturely in Beijing and was widely spread throughout China.
Article Details
References
Han, X. (2013). Singing techniques and style. Wuhan. Wuhan University Press.
Huang, J. (2003). Guo Lanying's Singing Art. Beijing. People's Music Publishing House.
Song, C. (2015). On the opera elements of vocal works. Hubei. The House of Drama.
Xie, J. (2009). On the aesthetic characteristics of Chinese national vocal music,
[Doctoral Dissertation]. Northeast Normal University.
Yao, Y. (2008). Chinese Opera Music. Beijing. People's Music Publishing House.
Zhao, M. (1997). The Art of Singing. Shanghai. Shanghai Music Publishing House.
Zhen, Q. (1987). Three Interviews with Li Guyi. Chinese Culture News.