The Study the Emotional and Expression of Mongolian Music “Qing Xi Cao Yuan’’ at Tai’an City, Shandong Province, the People’s Repubic China

Abstract

          The objectives of research were: (1)To study the emotional and expression in Mongolian music;(2)To create a guide book for the emotional and expression in Mongolian music;(3)To verify the educational guide provided by 3 experts.
          The research methodology was document research and qualitative research mixed method. Research tools included: Interview form; Guidebook; IOC form. Descriptive analysis was used for the information of interviewing from three key informants.
           The results of this study:(1)Music a very important position in the process of Mongolian dance creation, it can help the work to have a richer emotion and vitality both blend together, completely showing the ideas of the dance creator and performer.(2)Expression is a necessary condition for Mongolian dancers to improve the visual enjoyment of the audience and the proper use of expressions can add to the performance. The emotion of Mongolian music and dance is extremely important to the dance performance. Rich emotional expression can more perfect show of music and dance works, fully enhance the appeal of music and dance, and cause the emotional resonance of the audience. (3) Mongolian music and dance need to be constantly presented in various new forms and styles, and need new changes and innovations. In the future development and creation process of Mongolian music and dance, we must take Chinese national characteristics and culture as the theme and express positive content and form.