Modern Learning Approaches for Mongolian Long Tune Songs in the Inner Mongolia Autonomous Region of China
Main Article Content
Abstract
Mongolian Long Tune songs, deeply rooted in the cultural tapestry of the Inner Mongolia Autonomous Region of China, are more than just melodies. This study embarks on a quest to preserve and revitalize this cherished heritage through modern learning approaches. The objective is to explore modern learning approaches for Mongolian Long Tune songs in the Inner Mongolia Autonomous Region of China. Conducted within the Inner Mongolia Autonomous Region, the study encompasses a multifaceted analysis of the preservation, transmission, and pedagogical evolution of this cultural treasure. Four key informants, including inheritors of intangible cultural heritage, musicians, educators, and community members, contribute valuable insights. A holistic research methodology blends qualitative and quantitative data collection, including interviews, surveys, observation, and audio-visual recording. The findings underscore the cultural significance of these songs and advocate for their preservation through technology integration, collaboration, and community involvement. The study bears global relevance, emphasizing the need to safeguard cultural heritage in an interconnected world.
Article Details
References
Erjian, M., & Chuangprakhon, S. (2023). Transmission of Yugu Folk Song Knowledge in Sunan County,Gansu Province, China. International Education Studies. 16 (3), 43-50
Chinafolio. (n.d.). Inner Mongolia Autonomous Region https://chinafolio.com/provinces
Zemtsovsky, I., & Kunanbaeva, A. (2022). Homo Lyricus, or Lyric Song in the Ethnomusicological Stratigraphy of “Folkloric Culture”: Notes for a Monograph (Part 1). Revista de Etnografie Si Folclor-Journal of Ethnography and Folklore. 1 (2), 121-146.
D'Evelyn, C. (2018). Grasping intangible heritage and reimagining Inner Mongolia: Folk-artist albums and a new logic for musical representation in China. Journal of Folklore Research. 55 (1), 21-48.
Howard, K. (Ed.). (2016). Music as intangible cultural heritage: Policy, ideology, and practice in the preservation of East Asian traditions. Routledge.
Grant, C. (2012). Rethinking safeguarding: Objections and responses to protecting and promoting endangered musical heritage. In Ethnomusicology Forum. 21 (1) ,31-51. Taylor & Francis Group.
Chao, D. (2010). Urtiin Duu: The Mongolian Long Song in Mongolia and China. University of California, Los Angeles.
Henochowicz, A. (2008). Blue Heaven, Parched Land: Mongolian Folksong and the Chinese State. Graduate Journal of Asia-Pacific Studies. 6 (1), 37-50.
Bulag, U. E. (2002). The Mongols at China's edge: history and the politics of national unity. Rowman & Littlefield Publishers.
Kennedy, J. L. (2016). Höömii-Tsol-Thinking Computer: Applying Selected Ancient Mongolian Vocal Practices to Contemporary Computer Music Composition. Arizona State University.
Crack, A. M., & Crack, A. M. (2008). The Information Age: Transborder Communicative Capacity. Global Communication and Transnational Public Spheres. 69-103.