The Techniques on Pipa Solo and the Ambush from Ten Sides (Shi Mian Maifu)
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Abstract
This paper delves into the intricate world of solo pipa performance, focusing on the renowned piece "Ambush from Ten Sides" (Shi Mian Maifu). Through a comprehensive analysis of techniques employed in this classical Chinese composition, we explore the rich historical and cultural context surrounding the pipa, its significance in traditional Chinese music, and the nuanced playing styles that bring this piece to life. By examining the techniques required to master "Ambush from Ten Sides," this paper aims to provide insights into the artistry and skill demanded by solo pipa performance.
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References
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