Representation of Anti-Feminine Mental Habits in George Eliot’s The Mill on the Floss
Keywords:
female protagonists, theories of habit, nineteenth-century psychology, anti-feminine mental habits, mental scientistsAbstract
This article situates The Mill on the Floss (1860) in nineteenth-century theories of the mind, particularly the implications of psychological theories of habit on gender. Significantly, “anti-feminine mental habits,” the term I have coined here, refer to mental habits in female protagonists that contradict the psychological writings of major nineteenth-century psychologists, who typically assigned to women traits that served to degrade them while elevating the status of men as the superior sex. In fact, William James, Herbert Spencer and Henry Maudsley—all major figures in nineteenth-century psychology—agreed that women were more susceptible to mechanical thoughts and actions than men, contributing to the prevailing binary opposition that pitted feminine mental weaknesses against masculine mental powers. Additionally, mental habits that were considered feminine all placed women far below men in terms of free-thought, free will and originality. I argue that, in an attempt to rewrite misogynistic nineteenth-century physiological psychology and refute prominent evolutionary theories proposed by major mental scientists, George Eliot created a female protagonist in The Mill on the Floss who possesses superior mental habits, namely a spirit of enquiry, independence of mind, and suspense of judgement (as opposed to hurried judgement).
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