The Singing Technique of Li Dongping in Guangxi's Niu Ge Folk Opera: A Cultural and Historical Analysis
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Abstract
Niu Ge Folk Opera, deeply rooted in the cultural heritage of Guangxi province, serves as a vibrant tapestry of local narratives, customs, and beliefs. Ms. Li Dongping, a luminary within this tradition, captivates audiences with her emotive delivery and profound musicality. This study investigates Li Dongping's singing technique in Niu Ge Folk Opera performances within the cultural and historical context of Guangxi, shedding light on her contributions' profound cultural and historical significance. Through a multidisciplinary research approach drawing upon cultural anthropology, ethnomusicology, and performance studies, this research elucidates Ms. Li's mastery of traditional singing techniques and the enduring relevance of Niu Ge Folk Opera as a vital component of Guangxi's cultural identity. Field observations, interviews, and document analysis form the basis of data collection, providing valuable insights into Ms. Li's artistry and the context of Niu Ge Folk Opera. Thematic analysis and Interpretative Phenomenological Analysis (IPA) facilitate the interpretation of data, revealing Ms. Li's nuanced approach to breath control, vocalization, and character portrayal. The findings underscore the importance of preserving traditional art forms and celebrating the role of individual performers in safeguarding intangible cultural heritage. By fostering dialogue and collaboration between practitioners, scholars, and enthusiasts, this research promotes cultural diversity and exchange while enriching our understanding of Guangxi's cultural landscape.
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