INTEGRATION OF THAI AND CHINESE CULTURE OF CERAMICS IN THAILAND
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Abstract
The objectives of this research study are to (1) To study and analyze the integration of Thai and Chinese ceramic culture in Thailand; (2) To analyzes the characteristics of Chinese ceramic culture in Thailand. The study employs a mixed-methods approach, merging qualitative research with an extensive review of pertinent literature, secondary sources and data analysis. It further incorporates in-depth interviews five esteemed ceramic researchers, including Thai local ceramic artists who like Chinese ceramic culture, practitioners in related industries. The research findings include, identifying common themes and patterns that emerge from the data.1. Glaze color (1) Sisachanalai Site in Thailand and Tai Po Yu Li kiln site, through the contrast of porcelain fragments, the same turquoise glaze and similar shape. The glaze is close to the surface color of the first group of green glazes, both colors are very light, and the glaze layer is thinner. (2) Decoration method from the specimen point of view, the decoration method is similar to the shape. The details are a little different. Comparison of fetal quality compared with specimens unearthed from the site, the bottom foot of the bowl type, more similar. Reviewing historical records with contemporary practices to assess changes over time. Discussing the significance of the integration of Thai and Chinese ceramic cultures in the broader context of cultural exchange and identity formation. 2. Highlighting unique characteristics of Chinese ceramic culture in Thailand and discussing their implications for understanding cultural dynamics and heritage preservation. Promote cultural understanding. Through research, the following research results are obtained: (1)The literature method is used to clarify the inheritance of Chinese ceramic culture in Thailand and the relationship between Chinese ceramic culture and Thai ceramic culture (2) In -depth interviews with five experts; summarizing the cultural the inheritance and value of Chinese and Thai ceramic development in contemporary Thai ceramic culture.
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