RESEARCH ON THE DESIGN GUIDELINES FOR TOURISM SOUVENIRS BASED ON THE CULTURAL SYMBOLS OF FOSHAN LION DANCE IN GUANGDONG, CHINA
Main Article Content
Abstract
This study explores design proposals for incorporating the symbolic elements of Foshan lion dance, an intangible cultural heritage of the Lingnan region in China, into modern tourism souvenir design. Foshan lion dance is a traditional folk art from Foshan, Guangdong Province, and an integral part of Lingnan culture. Originating during the Ming and Qing dynasties, it is closely associated with local martial arts culture. Beyond being a form of entertainment, it also carries cultural significance, symbolizing the dispelling of evil, disaster prevention, and the pursuit of blessings and prosperity, while showcasing unique artistic charm. Based on this, many souvenirs have been derived using the image of Foshan lion dance as a prototype. However, existing lion dance-themed souvenirs face issues such as limited design variety, lack of innovation, and a small market scale, failing to effectively meet the personalized needs of modern consumers. Based on this, this study utilizes preliminary research, field observation, and interviews, combined with a questionnaire survey, to analyze the history, artistic characteristics, and cultural connotations of Foshan lion dance while extracting its design elements. By integrating qualitative and quantitative research methods, the study explores the symbolic representation of Foshan lion dance culture, analyzes the preferences of young consumers, and combines traditional cultural imagery with modern consumer tastes to propose effective design solutions. According to the research results, the following conclusions were drawn. A total of 87.87% of respondents showed a strong interest in lion dance souvenirs and placed greater emphasis on their cultural value. Consumers tend to prefer souvenirs with significant cultural symbolism. Moreover, Gen Z consumers are more inclined to purchase cultural souvenirs that feature uniqueness and innovation. Through data analysis, this study provides meaningful insights and valuable data for the souvenir market.
Article Details

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
References
Cantonese Opera Dictionary Compilation Committee. (2008). Cantonese opera dictionary. Guangzhou Publishing House.
Ge, F. (2019). Design of local cultural and creative products based on "cultural and tourism integration". Proceedings of the 19th National Symposium on Regional Tourism Development.
He, K. H. (2015). Research on the design of tourism souvenirs in Changsha based on Xiang embroidery culture. Doctoral dissertation, Hunan University.
Jiang, M. Z. (2011). The origin and cultural connotation of Foshan " Awakening Lion ". Cultural Heritage, p.4.
Kong, D. Q. (2022). Research on the design of Awakening Lion cultural and creative products from the perspective of lion dance culture. Design Art Research, 12 (4), p. 99.
Lu, H., & Jiang, X. (2014). A brief discussion on emotional design of products. CAD/CAM & Manufacturing Informatization, p.12.
Peng, W. (2021). A social historical investigation on the inheritance of Guangdong Awakening Lion. Social Sciences Literature Press · Qunxue Publishing Branch.
Shen, Y. (2017). Observation on the current situation of Foshan "Awakening Lion" dance from the perspective of intangible cultural heritage. Journal of Changzhi University, 34 (6), p.3.
Sun, Y. (2020). Constructing a coordinated development mechanism to promote the integration of the cultural and tourism industries: A review of Research on the coordinated development of regional cultural resources and tourism industry economy. Journal of Shanxi University of Finance and Economics, 42, p. 10.
Xie, X. Z. (2023). Design of Foshan "Mengshi" cultural and creative ornaments based on semiotics theory. Beauty & Times: Creativity (Upper), (4), p.52.
Yang, X. (1963). Luoyang qielan ji (Z. Zhou, Ed. & Annot.). Zhonghua Book Company. (Original work published 547).
Zhao, F. (2013). Research on the technical system of competitive lion dance. Doctoral dissertation, Hunan Normal University.
Zhou, J. (2014). Analysis of influencing factors on the image characteristics of Foshan "Awakening Lion". Zhuangshi, p.2.
Zhu, X. (Year). A study on the visual representation of Southern Lion culture from the perspective of iconography. Doctoral dissertation, Guangxi Normal University.