INTEGRATING TRADITIONAL CULTURE AND MODERN EXPRESSION IN THE NATIONAL OPERA YIMENGSHAN

Main Article Content

Yang Xin
Yongsith Yongkamol

Abstract

This article explores the integration of traditional Chinese cultural elements with modern artistic expression in the national opera Yimeng Mountain. Through detailed analysis of musical structure, character development, and stage design, the research illustrates how the opera honors folk traditions while advancing contemporary operatic innovation. The characters, particularly the female protagonist, are portrayed with emotional depth and symbolic richness, highlighting the opera’s emphasis on humanistic values alongside historical narrative. The study also examines the application of the “music-first” creative approach, emphasizing how melody, orchestration, and vocal techniques reflect both regional characteristics and national artistic trends. By synthesizing revolutionary themes with refined artistic methods, Yimeng Mountain stands as a significant work that reflects the evolving identity of Chinese national opera in the 21st century.

Article Details

How to Cite
Xin, Y., & Yongkamol, Y. (2026). INTEGRATING TRADITIONAL CULTURE AND MODERN EXPRESSION IN THE NATIONAL OPERA YIMENGSHAN. Asia Pacific Journal of Religions and Cultures, 10(1), 250–264. retrieved from https://so06.tci-thaijo.org/index.php/ajrc/article/view/287033
Section
Academic Articles

References

Chen, Z. (2024). Singing techniques and artistic expression of the selected piece "Yimeng Mountain, Forever Parents" from the opera 'Yimengshan'. Ingenuity, 2024 (2), pp. 123-125.

Jiang, H. (2023). Character image creation and singing analysis of Haitang in the ethnic opera Yimengshan [Master’s thesis]. Qingdao University.

Li, Q. (2023). Musical analysis and singing treatment of the aria Right Here Among the Mountains and Waters from the opera Yimengshan [Master’s thesis]. Qilu University of Technology.

Li, T. (2023). Research on the creation of female characters and their main arias in the opera Yimengshan [Master’s thesis]. Inner Mongolia Normal University.

Li, Y. (2022). Female character expression in Chinese ethnic opera as seen from the opera Yimengshan. Chinese Drama, 2022 (12), pp. 49-50.

Ma, K. (2022). Research on the artistic achievements in the opera Yimengshan. Art Panorama, 2022 (13), pp. 91-93.

Wang, Y. (2025). Research on the application of vocal techniques in musical theatre character creation. Chinese Musical Theatre, 2025 (2), pp. 70-72.

Wu, X. (2024). Singing analysis of male characters in the ethnic opera Yimengshan [Master’s thesis]. Hubei Normal University.

Xu, X., & Zhang, L. (2022). On the innovative exploration and contemporary enlightenment of the opera film Yimengshan. Film Review, 2022(10), pp. 73-78.

Zhang, H. (2022). Singing and teaching analysis of the aria Yimeng Mountain, Forever Parents [Master’s thesis]. Sichuan Conservatory of Music.

Zhao, T., & Shi, H. (2023). Exploration of Chinese opera music creation under the context of native language culture - Taking the ethnic opera Yimengshan as an example. New Chu Culture, 2023 (16), pp. 36-39.