CULTURAL BLENDING AND MUSICAL IDENTITY IN HUI AND YI COMMUNITIES OF XUNDIAN

Abstract

This article investigates the development, transformation, and cultural significance of minority music within the Hui and Yi communities in Xundian, Yunnan. Through historical tracing, field analysis, and musical structure examination, the study reveals how cultural blending has shaped the unique musical identity of these ethnic groups. Hui music in Xundian has evolved from early interactions with Arab and Persian musical traditions, integrating Han elements and modern influences to form a distinct hybrid style. Meanwhile, Yi music maintains strong ties to agricultural rituals, folklore, and religious practices, while gradually incorporating contemporary themes and rhythmic innovations. The research also explores how lyrics express deep cultural meanings, including farming traditions, love, religious devotion, and commercial life. Furthermore, the study examines the theoretical and practical aspects of adapting ethnic music for modern contexts, emphasizing the importance of retaining traditional elements while introducing innovative harmony, rhythm, and instrumentation. A case study of Tan Weiwei's adaptation of Mongolian music further demonstrates how ethnic music can resonate in popular media. This study contributes to the preservation and revitalization of ethnic minority music by offering a model for respectful cultural innovation rooted in heritage.