Implementing The Flipped Classroom Method in Music College Teaching in China

Main Article Content

Wu Xinyu
Nicha Pattananon

บทคัดย่อ

           Since the new scientific and technological revolution, information technology has become more widely used in the field of education, and its influence is becoming more in-depth. Great changes have taken place in people's way of life, communication, and learning. Under this background, education has been undergoing profound changes, among which, the reform of the teaching model has become the focus of attention. The emergence of flipped classrooms is a product of said times and has the characteristics of such times. With the popularization of information technology, more information terminals and information technology means have entered the field of education. Technical products in the form of iPads, e-book packages, micro-videos, cloud courses, and MOCC classes have been emerging one after another, which has greatly changed the space-time state and existence mode of education and teaching. As an important scholastic field in the education system, the classroom is the unity of preaching, teaching, puzzle-solving, interaction, incentive, summary, and evaluation. Its reform is deeply affected by information technology.

Article Details

รูปแบบการอ้างอิง
Xinyu , W. ., & Pattananon, N. . (2024). Implementing The Flipped Classroom Method in Music College Teaching in China. Journal of Modern Learning Development, 9(11), 909–914. สืบค้น จาก https://so06.tci-thaijo.org/index.php/jomld/article/view/292352
ประเภทบทความ
บทความวิชาการ

เอกสารอ้างอิง

Bishop, J. L., & Verleger, M. A. (2013). The flipped classroom: A survey of the research. 2013 ASEE Annual Conference & Exposition.

Cantwell, R. H., & Millard, Y. (2011). The relationship between approach to learning and learning strategies in learning music. British Journal of Educational Psychology, 64(1), 45-63.

Dubal, D. (2004). Art of The Piano. Amadeus Press.

Gordon, E. (2012). Learning Sequences in Music: A Contemporary Music Learning Theory. GIA Publications, Inc. Chicago.

Garrison, D. R., & Kanuka, H. (2004). Blended learning: Uncovering its transformative potential in higher education. The Internet and Higher Education, 7(2), 95-105.

Garrison, D. R., & Vaughan, N. D. (2008). Blended learning in higher education: framework, principles, and guidelines. John Wiley & Sons.

Gault, B. (2005). Music learning through all the channels: combining aural, visual, and kinesthetic strategies to develop musical understanding. General Music Today, 19(1), 7-9.

Rosevear, J. (2003). Attitudes of high school students towards learning music. Conference proceedings, over the top: the impact of cultural learning in our own and neighbouring communities in the evolution of Australian music education, 106-110.

Ruokonen, I., & Ruismki, H. (2016). E-learning in music: a case study of learning group composing in a blended learning environment. Procedia - Social and Behavioral Sciences, 217, 109-115.