Fon Kome Bucha Hatthasilp Thin Mueang Sart
Keywords:
Creative Thai Classical Dance Performances, Lanterns, CraftsmanshipAbstract
The research article on “Fon Kome Bucha Hatthasilp Thin Mueang Sart” is part of the research and study of creative art thesis, Performing Arts Department, Faculty of Humanities and Social Sciences, Chiang Mai Rajabhat University, Academic Year 2018 with the objective to create a work of Thai classical dance performances called “Fon Kome Bucha Hatthasilp Thin Mueang Sart”
The research found that “Fon Kome Bucha Hatthasilp Thin Mueang Sart” is a type of creative Thai dance in the type of a Fon using Lanna style lanterns as the main equipment in the performance along with the Joi lyrics, in a form of Kao, using female performers dressed in Lanna style for people in the master class and the baron in the past. The performance consists of 3 sessions: slow rhythms, moderate rhythms, and fast rhythms, respectively. Musical instruments used include 15 Northern local musical instruments, mixed with 1 piece of international music instrument. There are 53 postures of dance and 40 style of row format changing.
References
Oopparamai, W. (2010). Dramatic performance and drama. Bangkok, Thailand: Chulalongkorn University Press.
Pitupuminark, K. (2014). Joi : Sing a Lanna Traditinal Literature. Journal of Fine Arts, 2, 225-259.
Saithongkham, J. (2018). Thai classical dance, Thai Dance, drama, and Khon. Bangkok, Thailand: Nucha Publishing.
Soonpongsri, K. (2016). Aesthetics, philosophy of art, and art critical theory. Bangkok, Thailand: Chulalongkorn University Press.
Tourism Authority of Thailand. (2014). Chiang Mai’s Yee Peng tradition. Retrieved from http://suvarnabhumiairport.com/th/
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