Gongwongyai solo technique of Son Wonggong the case of Gakmon-Samchan

Abstract

This paper aims to analyze Gongwongyai solo technique of Gakmon Samchan by Son Wonggong, in which it was recorded and played by Son Wonggong at the Nuannoi Voice Recording Room of the senior teacher skill project of the Fine Arts Department. Transcription In order to analyze the strategy of playing according to the standard criteria of Thai music Gongwongyai (2010). Conducting the study between the years A.D.2018-2020, the results analyzed as follows.
Gongwongyai solo in Gakmon Samchan, all 18 rhythmic temples or 72 lines. Found Gongwongyai solo technique that is outstanding Prakrbmuua hit group Son Wonggong used his right hand to hit Nong the most and Nod was the least. The left hand uses the most polished Ting and the least Te sound with Ted. In addition, it found that Sabud hit the most, followed by Gro, Kwai and Kwad respectively. As for Kratob-Ku, it was found that the pairs used Ku 8 the most and used Ku 9, 10, 11 less. However, Gakmon Samchan has the same melody at the end of each part of the song, resulting in a different solo creation.