The Musical Dialect in Modern Conventional Idiom of Mozart’s Concerto in E-flat major for Two Pianos and Orchestra, KV. 365
คำสำคัญ:Cadenza, Piano Concerto, Pianistic Interpretation
The main objective of this research is to explore features of the musical dialect within the conventional idiom of Mozart’s Concerto in E-flat major for Two Pianos and Orchestra, KV. 365. The Interpretational Approach and Analysis Overview of the Concerto in E-flat major for Two Pianos and Orchestra, KV. 365 by W.A. Mozart refer to an approach of providing piano students and pianists’ insight into the specific technical and musical challenges and to include a stylistically and musically satisfying performance.
This research also includes a historical overview of the selected Piano Concerto and a biographical background of the composer. This research should shade a light to enhance competence in the interpretational musical objectives of students and pianists’ performance by adding a new dimension and an improvement to contribute a work of stylistic, historic, and musical significance.