PHLENG MON BAN CHANYANATYA

Abstract

This research aims to study basis involved with Phleng Mon Ban chanyanatya including its
identities. Methods and regulations are provided in the qualitative research. The research findings reveal that there are 3 generations in chanyanatya Family as following : 1. Master Petch chanyanatya, 2. Master Paitoon chanyanatya and 3. Master Pitak chanyanatya. The musical transmission has continuously proceeded from generation to generation within Ban chanyanatya and widely conveyed to thai musical society by oral tradition. The Piphat Mon Ensemble was set up by Master Paitoon chanyanatya who composed all 7 Phleng Mon as following ; Phleng Mon Mob Rua , Phleng Song Kumarn, Phleng Khamer Yuan, Phleng Phama Rum Kwan, Phleng Man Mongkol, Phleng Rew Daokrajai and Phleng Rew Maliwan. The identities of Phleng Mon Ban chanyanatya are found that its pattern seems like Phleng Thao, the composition of Na Tub Tapone Mon is particularly maintained in Phleng Khamer Yuan and four scales are found such as Phiang Or Bon, Klang, Java and Phiang Or Lang.