Reum Mamuad Music : The Transition from Sacred Music to Commercial Music

Abstract

             The purpose of this research were: 1) to study beliefs about music during Reum Mamuad in the Sisaket Province and 2) study the changes from the past to the present regarding playing music during Reum Mamuad activity in Sisaket Province. This qualitative research collected the data through documentary study, in-depth interview, and participatory observation. The study area included 6 villages of Thai-Khmer ethnic groups. There were 3 groups of key informants: 1) 6 groups of musicians, 2) 6 people who take care of the Mamuad activity, and 3. 30 villagers who participate in the Mamuad activity. The data was analyzed with the content and theme analysis.
             The research results found that:
             1. Thai-Khmer ethnic group in the area of Sisaket province, it is believed that the music accompanying the in Reum Mamuad is sacred and is an extremely important element in the in Reum Mamuad ritual. If there is no music, it may make Mamuad dissatisfied. and did not inspire according to what was requested.
             2. Nowadays, young people are increasingly interested in and playing music to accompany Ruam Mamoud activities. Hiring a musical band to perform Ruam Mamoud activities is not different from hiring one. A band to organize a party or other entertainment event, that is, if the host wants the grandeur of the event or wants the famous Ruam Mamoud music. Organizers also need to use a high hiring budget, which is different from the past.