Folklore in the Novel Garin: Mysterious Occult Case

Abstract

This article aims to examine the folkloric elements embedded in the novel series Garin’s Uncanny File, authored under the pen name “Ai.” The series comprises three parts, Garin’s Uncanny File, Garin’s Uncanny Files II, and a special part, amounting to a total of 21 books. The study identifies four categories of folklore presented throughout the series: (1) Folklore in the verbal arts, including folk songs, proverbs, idioms, and toponyms; (2) Material culture, represented through folk architecture; (3) Performing folk arts, reflected in folk games, particularly games involving object manipulation; and (4) Social folk customs, encompassing beliefs, rituals, and traditions. Among these categories, social folk customs appear most frequently, with seven distinct forms, followed by folklore in the verbal arts (six forms), material culture (five forms), and performing folk arts (one form). The presence of these folkloric elements reflects fundamental belief systems within Thai society and enhances the overall appeal of the series. Readers who share this cultural background can more readily perceive the emotional nuances and intentions conveyed by the author. Furthermore, the incorporation of folklore plays a pivotal role in constructing the fantasy dimension of Garin’s Uncanny File. In particular, the category of social folk customs associated with the supernatural, such as beliefs in spirits, animistic entities, occult practices, and ritual magic, significantly contributes to both plot development and narrative structure. These elements function not only as devices that drive the storyline but also as components that shape the distinctive identity of Thai fantasy literature through the fusion of contemporary narrative techniques and traditional folk wisdom. Consequently, the series evokes an atmosphere of mystery, suspense, and other worldliness that resonates with readers through shared cultural foundations.