กลวิธีในการรำเดี่ยวของตัวนางในละครรำ Performing Techniques of the Heroine Solo Dance in Thai Dance Drama
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Abstract
The objectives of research this were to study 1)the important role of Ram Chui Chai as a heroine as shown in dance dramas, 2)analyze the elements of the dance movements within Ram Chui Chai as Nang Wanthong Tang Tua (Wanthong dressing up), and 3)analyze the heroine's solo dance of Ram Chui Chai as Nang Wanthong Tang Tua (Wanthong dressing up) in Khun Chang Khun Phaen narrative in the episode of "Phra Wai Taek Tap". The qualitative research processes were used in research by means of studying related documents. interviews and observations on the broadcasting of dance moves, as well as learning dance movements from Ajarn Atchara Suphachaiyakit
The research showed that the importance of Ram Chui Chai as heroine was that when a character dresses or transforms as beautifully as intended the dramatic and action of pride and satisfaction is demonstrated through facial and eye expressions. The elements of dance movements include the model of Ram Mae Bot blended with natural manner Which become dance movements related to the meaning of lyrics in particular songs as follows: dresses and adomment reflected through Chom Ta-lat, the beauty of Wanthong reflected through Chui Chai, and the elegant procession of Wan Thong reflected through Mai Si. The performing techniques of Ram Chui Chai as Nang Wanthong Tang Tua (Wanthong dressing up) by Ajarn Atchara Suphachaikit was as follows: 1) tactics for dance’s preparation before the show, 2) tactics for conveying emotions in realistic performances, and 3)tactics for dancing to demonstrate the performers' knowledge and abilities.
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