Wang: Daily life Movements to Contemporary Hmong Performing Arts

Abstract

This article aims to 1) analyze the choreography method and the process of inheriting the Hmong Wang dance performance and 2) for analyze the social context in the Hmong Wang dance performance. This is a summary of the author's qualitative research study on the process of creating Kradong (Wang) dances: a case study of contemporary Hmong tribal performances. Chaopho Luang Uppatham School 7, Pong Yaeng Subdistrict, Mae Rim District, Chiang Mai Province and is part of the Bachelor of Arts curriculum Performing Arts Major. Department of Thai Arts Faculty of Fine Arts Chiang Mai University, academic year 2022. Using the research process from related documents, books, articles, research and performances.To present ideas about Movements in everyday life of the Hmong tribe that can be developed into contemporary performances and knowledge that has gone on to create interesting contemporary performances.

          Movement in performance Hmong tribal performance A performance developed from observing the lifestyle of the Hmong ethnic group and the factors that change movement in daily life into performance In conclusion, this article found that the basis of everyday movements that appear in the performance can reflect tribal identity and culture. Because it is a performance that conveys the lifestyle and context of ethnic groups. As a result, the audience can understand the identity of the ethnic group through the gestures used in the performance. It also helps to preserve and develop education, travel or for entertainment which can preserve and continue the tribal performances to continue along with human life in the future