The Overview Treatment of Odd Meters in The History of Jazz

Authors

  • Sopon Suwannakit

Abstract

Odd meters were experimented variously in the album Time Out by Dave Brubeck Quartet. The audiences accepted it widely during the launching period especially the tunes “Take Five” composed by Paul Desmond and “Blue Rondo à la Turk” composed by Dave Brubeck. This article discuses how odd meters become more acceptable in jazz which has been nominated by duple and quadruple meters for long. Ranging the musicians from James Fats Waller, Reese Europe, and Stan Kenton to Jonathan Kreisberg, Maria Schneider, and Hiromi Uehara, It shows the history of time signature usage in jazz, development, and the relationship between early and contemporary irregular meter approaches.

References

1. Dave Brubeck Quartet. 1959. “Blue Rondo à la Turk.” By Dave Brubeck. Recorded July 1, with Teo Macero. On Time Out, Columbia CL 1397, 1997, compact disc.
2. ________. 1959. “Take Five.” By Paul Desmond. Recorded July 1, with Teo Macero. On Time Out, Columbia CL 1397, 1997, compact disc.
3. Duke Ellington and His Orchestra. 1932. “It Don't Mean a Thing (If It Ain't Got That Swing).” by Duke Ellington. Recorded August, 1931. On The Complete 1932-1940 Brunswick,Columbia and Master Recordings of Duke Ellington and His Famous Orchestra, Mosaic MD11-248, 2010, compact disc.
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13. Maria Schneider Jazz Orchestra. 1994. “Last Season.” By Maria Schneider. Recorded 1992. On Evanescence, Enja Records ENJ-8048 2, Germany, compact disc.
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Published

10.07.2018

How to Cite

Suwannakit, Sopon. 2018. “The Overview Treatment of Odd Meters in The History of Jazz”. Rangsit Music Journal 9 (1):29-38. https://so06.tci-thaijo.org/index.php/rmj/article/view/127611.

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Section

บทความวิชาการ | Academic Article