Haydn’s Last Five Piano Sonatas: Their Influences on Beethoven’s Piano Sonatas
Abstract
This article gives particular attention towards the late piano sonatas of Haydn and the complete cycle of Beethoven’s piano sonatas. It is based on the belief in empiricism, which, in this specific case, suggests that composers—past or present—have always influenced others, and the composers themselves, in turn, have also been influenced by others. By saying this, one has to take risk in believing that in no way can a composer be influenced by that which he has never experienced in life.
References
1. Brown, A. P. “The Solo and Ensemble Keyboard Music.” Joseph Haydn’s Keyboard Music: Sources and Style (1986): 361-362.
2. Burton, A., ed. A Performer’s Guide to Music of the Classical Period. London: the Associated Board of the Royal Schools of Music, 2009.
3. Cooper, B. Beethoven. New York: Oxford University Press, 2000. Geiringer, C. Haydn: A Creative Life in Music. Berkeley: University of California Press, 1982.
4. Gillespie, J. Five Centuries of Keyboard Music. New York: Dover, 1972.
5. Hamer, L. “Haydn’s Sonata in E-flat Major, Hob XVI: 52 and the Influence of C.P.E. Bach.” Accessed December12, 2012. http://www.haydnproject.org/index.php?id=40.
6. Heartz, D. Mozart, Haydn and Early Beethoven. New York: W. W. Norton & Company, 2009.
7. Jones, D. W., ed. Oxford Composer Companions: Haydn. New York: Oxford University Press, 2002.
8. Landon, H. C. R. “Three Piano Sonatas for Therese Jansen.” Joseph Haydn: Chronicles and Works IV (1995): 439-452.
9. Morris, E. Beethoven: The Universal Composer. New York: HarperCollins, 2005.
10. Moss, L. K. “Haydn’s Sonata Hob. XVI: 52 (ChL. 62) in E-flat Major: An Analysis of the First Movement.” Haydn Studies (1981): 496-501.
11. Newman, W. S. The Sonata in the Classic Era. New York: W. W. Norton & Company, 1983.
12. Rosen, C. Beethoven’s Piano Sonatas: A Short Companion. London: Yale University Press, 2002.
13. ________. The Classical Style: Haydn, Mozart, Beethoven. New York: W. W. Norton & Company, 1997.
14. ________. Sonata Forms. New York: W. W. Norton & Company, 1988. Solomon, M. Late Beethoven: Music, Thought, Imagination. Berkeley: University of California Press, 2003.
15. Taruskin, R. Music in the Seventeenth and Eighteenth Centuries. New York: Oxford University Press, 2010.
16. Tovey, D. F. A Companion to Beethoven’s Pianoforte Sonatas. London: the Associated Board of the Royal Schools of Music, 2010.
17. ________. “Haydn: Pianoforte Sonata in E-flat.” Essays in Musical Analysis: Chamber Music (1900): 93-105.
18. Vickers, D. Haydn: His Life and Music. China: Naxos Books, 2008.
2. Burton, A., ed. A Performer’s Guide to Music of the Classical Period. London: the Associated Board of the Royal Schools of Music, 2009.
3. Cooper, B. Beethoven. New York: Oxford University Press, 2000. Geiringer, C. Haydn: A Creative Life in Music. Berkeley: University of California Press, 1982.
4. Gillespie, J. Five Centuries of Keyboard Music. New York: Dover, 1972.
5. Hamer, L. “Haydn’s Sonata in E-flat Major, Hob XVI: 52 and the Influence of C.P.E. Bach.” Accessed December12, 2012. http://www.haydnproject.org/index.php?id=40.
6. Heartz, D. Mozart, Haydn and Early Beethoven. New York: W. W. Norton & Company, 2009.
7. Jones, D. W., ed. Oxford Composer Companions: Haydn. New York: Oxford University Press, 2002.
8. Landon, H. C. R. “Three Piano Sonatas for Therese Jansen.” Joseph Haydn: Chronicles and Works IV (1995): 439-452.
9. Morris, E. Beethoven: The Universal Composer. New York: HarperCollins, 2005.
10. Moss, L. K. “Haydn’s Sonata Hob. XVI: 52 (ChL. 62) in E-flat Major: An Analysis of the First Movement.” Haydn Studies (1981): 496-501.
11. Newman, W. S. The Sonata in the Classic Era. New York: W. W. Norton & Company, 1983.
12. Rosen, C. Beethoven’s Piano Sonatas: A Short Companion. London: Yale University Press, 2002.
13. ________. The Classical Style: Haydn, Mozart, Beethoven. New York: W. W. Norton & Company, 1997.
14. ________. Sonata Forms. New York: W. W. Norton & Company, 1988. Solomon, M. Late Beethoven: Music, Thought, Imagination. Berkeley: University of California Press, 2003.
15. Taruskin, R. Music in the Seventeenth and Eighteenth Centuries. New York: Oxford University Press, 2010.
16. Tovey, D. F. A Companion to Beethoven’s Pianoforte Sonatas. London: the Associated Board of the Royal Schools of Music, 2010.
17. ________. “Haydn: Pianoforte Sonata in E-flat.” Essays in Musical Analysis: Chamber Music (1900): 93-105.
18. Vickers, D. Haydn: His Life and Music. China: Naxos Books, 2008.
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Published
10.07.2018
How to Cite
Aekaputra, Supakorn. 2018. “Haydn’s Last Five Piano Sonatas: Their Influences on Beethoven’s Piano Sonatas”. Rangsit Music Journal 8 (2):1-17. https://so06.tci-thaijo.org/index.php/rmj/article/view/127622.
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บทความวิชาการ | Academic Article
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