Interpretation and Performance Practice on Humoreske by Robert Schumann

Authors

  • Yanisa Meesap Master’s Degree Candidate, Faculty of Fine and Applied Arts, Chulalongkorn University
  • Panjai Chulapan Faculty of Fine and Applied Arts, Chulalongkorn University

DOI:

https://doi.org/10.59796/rmj.V19N2.2024.R0303

Keywords:

Robert Schumann, Humoreske, Romantic Piano Repertoire

Abstract

This research article is about the interpretation and performance practice of Humoreske, Op.20 by Robert Schumann (1810-1856), a German composer and music critic. The purpose of this article is to study Schumann’s biography, history of Humoreske, Op.20 and to enhance the ability to interpret and perform with proper techniques. There are 6 sections in this piece. It is a piece that not only highlights Schumann’s diverse personalities, but also show his unique style and creativity as a composer. There are melodies that evokes both joy and sadness, employs a mix of fast and slow tempos, complexed harmonies and advanced instrumental techniques which make it special and unique characteristic in music of Romantic era. It is considered a challenging piece according to interpretation and performing techniques. Pianists must study the composition thoroughly and convey the piece with perfection.

References

Chou, Chung-Wei. “Aspects of Historical Background, Literary Influence, Form, and Performance Interpretation in Robert Schumann’s Carnaval.” DMA diss., Ohio State University, 1988.

Chulapan, Panjai. Literature of Piano Music. Volume 2. Bangkok: Chulalongkorn University Press, 2008. (in Thai)

Ferris, Betty Margaret. “A Study of Schumann's Humoreske, Op.20 for Piano." MA thesis, University of Rochester, 1942.

Herttrich, Ernst, and Hans-Martin Theopold. “Schumann Humoreske, Op.20.” Accessed January 25, 2023. https://www.henle.de/us/detail/?Title=Humoreske+B-dur+op.+20_441.

Hyperion. “Britain's brightest record label.” Accessed January 20, 2023. https://www.hyperion-records.co.uk/dw.asp?dc=W10528_67618.

Pancharoen, Natchar. Dictionary of Music. 3rd ed. Bangkok: Katecarat Press, 2009. (in Thai)

Tainchaivanich, Poonsant. “A Piano Recital by Poonsant Tainchaivanich.” MFA thesis, Chulalongkorn University, 2010. (in Thai)

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Published

31.07.2024

How to Cite

meesap, yanisa, and Panjai Chulapan. 2024. “Interpretation and Performance Practice on Humoreske by Robert Schumann”. Rangsit Music Journal 19 (2):R0303 (13 pages) . https://doi.org/10.59796/rmj.V19N2.2024.R0303.

Issue

Section

บทความวิจัย | Research Article