Interpretation and Performance Practice on Bach’s Toccata in C minor for Keyboard BWV 911

Abstract

This research article aims to present the interpretation and the performance practice of Toccata in C minor for Keyboard BWV 911 by Johann Sebastian Bach, one of the greatest composers. The piece was composed in the time of the Baroque period, the era when composers infrequently detailed the notes in terms of articulation, dynamic and tempo marking. Therefore, the interpretation is extensively up to the performer’s own preference, especially when performing on the modern grand piano which has more possibilities of sound. The purposes of this research article are to analyze, interpret and study the performance practice of Toccata in C minor for Keyboard BWV 911 based on modern grand piano playing; all leading to bring the most significant potential out of the piece with performer’s thoughtful understanding. However, readers should only consider this research as a guideline for reflecting their own interpretation and understand that experiment is the principal process of study.