DEVELOPING CONTEMPORARY MUSIC FOR LIKAY PA PERFORMANCES BY THE SUNTHORN SILP TROUPE, BAN PHRU CHUT, BO HIN SUBDISTRICT, SIKAO DISTRICT, TRANG PROVINCE

Abstract

This research article on the development of contemporary music for Likay Pa performances aims to 1) develop Likay Pa music for contemporary performances and 2) record Likay Pa music for dissemination and preservation of Likay Pa performances. The research hypothesis is that developing Likay Pa music by applying contemporary musical concepts can maintain its unique identity, making it appealing and suitable for performances in a contemporary social context. The recorded Likay Pa music can be effectively used for dissemination and as a medium for preserving Likay
Pa performances. The research employs a qualitative approach. The study population includes the Likay Pa troupe, the Sunthorn Silp troupe from Ban Phru Chut, Bo Hin Subdistrict, Sikao District, Trang Province, as well as villagers and students. Research tools include interviews and participatory observation, which have been validated by experts. Regarding music development, the researcher selected the songs “Khaek Daeng,” “Talikipas,” and “Tanyong” to be arranged in three styles: solo performance, contemporary string ensemble, and contemporary fusion. This fusion incorporates Western instruments such as guitar, piano, and violin, and utilizes contemporary harmonic and rhythmic techniques while maintaining the original musical structure. For recording and transcribing the arranged music, the researcher produced media in the form of books, sheet music, videos, and CDs. The donation to community schools and the summary of research findings contribute to a reflection of contemporary thoughts, society, and culture. Furthermore, it opens up space for new creativity that is not limited to traditional musical frameworks. The research results can be used to further develop new knowledge in music and promote the development of the Likay Pa (forest folk theater) music scene.