AN INTERPRETATION FOR PIANO PERFORMANCES COMPOSED BY CHINESE AND THAI COMPOSERS

Abstract

     This research was a qualitative study with the objectives of the research were: 1. To analyze interpretations for the piano performances of Chinese and Thai composers. 2.To showcase the piano performance of Thai and Chinese compositions. The research scope was defined as 1. Interpretation of songs. 2. How to play This can give an idea of the conceptual process of the composer. and the researcher combined with the researcher's interpretation concept to guide the playing of the two songs. in public presentation.

     The two songs are "Ramayana" and "Pi Huang" by Thai and Chinese composers. which is a song written for a solo piano using contemporary methods of composing Come to present ideas from both the presentation of national literature. and national performances resulting in a distinctive identity that appears in both songs prominently and a valuable song can be used as a model for further creativity.