THE CHORUS PERFORMANCE OF "AUN-AYCF THAILAND" WITHIN THE ASEAN COMMUNITY
Keywords:
AUN-AYCF Thailand, Chorus, ASEAN, ConceptAbstract
This academic article examines the choral performance of the song "AUN–AYCF Thailand," focusing on its compositional concepts and the contextual factors that influence its presentation. The findings reveal that the song functions not only as a musical expression of aesthetic value but also as a symbolic representation of cooperation within the ASEAN community, encompassing both cultural identity and inter-university relations. The song features structural flexibility, allowing for adaptation to various performance contexts while maintaining the core idea of unity in diversity. Its composition and arrangement showcase a high degree of adaptability, emphasizing its potential as a creative medium that can resonate with diverse performance environments and audiences.
References
ชลธิศ ธีระฐิติ. (2563). สูจิบัตรโครงการบูรณาการศิลป์อาเซียน.
Born, G. (2010). Music and the Materialization of Identities. Journal of Material Culture, 16(4), 376-388.
Nettl, B. (2005). The Study of Ethnomusicology: Thirty-one Issues and Concepts. University of Illinois Press.
Small, C. (1998). Musicking: The Meanings of Performing and Listening. Wesleyan University Press.
Stokes, M. (2004). Music and the Global Order. Annual Review of Anthropology, 33, 47-72.
