“KISA”: CREATIVE ADAPTATION OF TRADITIONAL MOR LAM PERFORMANCE WITHIN THE CONTEXT OF CONTEMPORARY ART

Abstract

This creative research project aims to develop a contemporary Molam Phuen performance titled “Kisa”, based on the study and application of traditional storytelling techniques found in Northeastern Thai folk performance. The work seeks to blend the traditional Molam Phuen style with Western solo theatrical performance, creating a modernized presentation that enhances the accessibility and relevance of this cultural art form to contemporary audiences.

The narrative adapted for this performance is “Kisa Kotamee Theri”, which reflects the Buddhist teachings on the cycle of life, including birth, aging, sickness, and death. Its content provides profound insights and understanding that are relevant to modern society.         

The research process involved the study, analysis, and adaptation of the stage play “Kisa” by Assistant Professor Mallika Tangsagob. The script was restructured to incorporate both elements of folk narrative and Western dramatic forms. Additionally, the researcher underwent training in traditional Molam singing with experts, practiced solo performance techniques, and conducted rehearsals with musicians and a stage director to ensure a complete and polished production.

The results demonstrate that the researcher successfully integrated traditional Mor Lam techniques with Western solo theater forms, creating a contemporary Mor Lam performance that preserves cultural value while effectively reaching modern audiences. This approach not only raises audience awareness of local cultural heritage but also contributes to the study and development of contemporary Northeastern Thai folk arts.