BEHAVIORAL SHIFTS AND TECHNOLOGY ACCEPTANCE IN GUITAR AMPLIFICATION AMONG THAI METAL MUSICIANS A CASE STUDY OF TRADITIONAL AMPLIFIERS AND DIGITAL MODELING SYSTEMS
Keywords:
guitar tone, Thai metal, amp modelers, tube amplifiers, musical identity, music technology, technology acceptanceAbstract
This study examines factors influencing amplification choices among metal guitarists in Thailand as digital technologies particularly Amp Modelers and Impulse Responses (IR) reshape tonal identity. It explores how technological features, cultural practices, and musical identity interact in equipment decision-making.
A qualitative phenomenological approach was used, drawing on in-depth interviews with ten Thai metal guitarists experienced with both tube amplifiers and Modeler/IR systems across rehearsal, performance, and recording contexts. The data highlight perceptual, emotional, and contextual elements shaping preference.
Findings show that equipment selection extends beyond technical specifications, involving affective response, playing feel, and identity-driven considerations. Tube amplifiers are valued for dynamic responsiveness and tonal depth, while Modeler/IR systems offer portability, consistency, and flexibility, resulting in context dependent hybrid usage. The concept of “sonic rightness” how well a tone aligns with a musician’s artistic identity emerged as a central evaluative factor. Overall, amplification preference reflects the interaction of technology, cultural meaning, and self representation.
References
Braun, V., & Clarke, V. (2006). Using thematic analysis in psychology. Qualitative Research in Psychology, 3(2), 77–101.
Davis, F. D. (1989). Perceived usefulness, perceived ease of use, and user acceptance of information technology. MIS Quarterly, 13(3), 319–340.
Davies, H. (2019). The guitarist’s tone: Culture, technology and the construction of sonic signature. Journal of Popular Music Studies, 31(3), 63–81.
Frith, S. (1996). Performing Rites: On the Value of Popular Music. Harvard University Press. MacDonald, R. A. R., Hargreaves, D. J., & Miell, D. (2002). Musical Identities. Oxford University Press.
Partti, H., & Karlsen, S. (2023). Music technology and social inclusion: Examining student acceptance and resistance. British Journal of Music Education, 40(1), 25–44.
Pinch, T. J., & Bijker, W. E. (1984). The social construction of facts and artefacts: Or how the sociology of science and the sociology of technology might benefit each other. Social Studies of Science, 14(3), 399–441.
Thomas, S., & Chan, A. (2022). Identity, tone, and the digital amp: Professional guitarists and gear perception. Music Technology Journal, 15(1), 44–58.
Zacharakis, A., Pastiadis, K., & Skovenborg, E. (2018). Perceptual attributes of the ideal audio reproduction system. Journal of the Audio Engineering Society, 66(6), 480–492.