Avant-Garde Cinematic Techniques in Kenneth Anger’s Short Films

Authors

  • Pat Suwanagul College of Communication Arts. Rangsit University.

Keywords:

Avant-Garde, Techniques, Short Film

Abstract

        This article aims to examine cinematic techniques used in four of the Avant-Garde short films by Kenneth Anger: 1) Scorpio Rising 2) Invocation of My Demon Brother 3) Eaux d’artifice 4) Puce Moment. The findings indicate that Anger sets forth storytelling of discontinuous time and places which establishes the sense of ambiguity and dreamlike perspective. Furthermore, Anger implements fundamental cinematic techniques to create a new narrative and pave the way for the next generation of filmmakers.

References

Anger, K. (1963). Scorpio Rising [Films]. USA: Puck Film Productions.

Anger, K. (1969). Invocation of My Demon Brother [Films]. USA: Cinédoc Paris Films Coop.

Anger, K. (1953). Eaux d’artifice [Films]. USA: Library of Congress

Anger, K. (1949). Puce Moment [Films]. USA: Puck Film Productions.

F.T. Marinetti, B. Corra, E. Settimelli, A. Ginna, G. Balla & R. Chiti. (1916). L’Italia futurista. Kunsthistorisches Institut in Florenz: Discourse

Hagener, P. (2007). Moving Forward, Looking Back: The European Avant-garde and the Invention of Film Culture, 1919-1939. New York: Amsterdam University Press.

Sitney, P. (1974). Visionary Film. New York: Oxford University Press.

Tavares, N. (2010). Understanding Cinema: the Avant-gardes and the Construction of Film. Scientific Journal of Media Literacy 34(XVIII); 43-51.

Verrone, W. (2011). The Avant-Garde Feature Film: A Critical History. New York: McFarland.

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Published

2021-12-29