Transformation Chinese Kungfu to be New Design Animation and Interpretation Tao Philosophy
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Abstract
This article examines how the philosophical tenets of Taoism can be expressed through innovative animation design inspired by Chinese Kung Fu. Bridging pure philosophy and applied art, the study transforms traditional Kung Fu movements into animated narratives imbued with metaphysical symbolism. A mixed-methods approach, combining practice-based design research with interpretive philosophical analysis, was adopted to both create an animation prototype and analyze its alignment with Taoist metaphysics and aesthetics. The results show that key Taoist concepts – such as Tao (the Way), Yin-Yang balance, wu wei (non-action), and the flow of qi – can be effectively visualized in animation, enhancing understanding of these ideas through artistic interpretation. The discussion highlights how embodying Taoist philosophy in visual form offers a novel pedagogical and creative strategy, reinforcing the harmony between spiritual wisdom and art. This work underscores the dual contribution of the project: enriching philosophical discourse with visual-spatial insights and informing animation design with deep cultural philosophy. Implications: The findings encourage interdisciplinary collaboration between philosophers and artists, and suggest that integrating Taoist principles in media design can foster cultural appreciation and mindfulness in audiences.
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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
บทความที่ได้รับการตีพิมพ์เป็นลิขสิทธิ์ของวารสาร มจร ปรัชญาปริทรรศน์
ข้อความในบทความที่ได้รับการตีพิมพ์ในวารสาร ถือเป็นความรับผิดชอบของผู้เขียนบทความ และข้อคิดเห็นนั้นไม่ถือว่าเป็นทัศนะและความรับผิดชอบของกองบรรณาธิการวารสาร มจร ปรัชญาปริทรรศน์
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