An Analysis of Igor Stravinsky' s Symphony of Psalms Focusing on Neoclassicism

Authors

  • Masashi Kishimoto, Dr. Conservatory of Music, Rangsit University

Keywords:

Igor Stravnsky, Neoclassicism, Symphony of Psalms

Abstract

Widely known as one of the most significant composers of 20th century, Igor Stravnsky's life is often divided into three stylistic periods: Russia period, neoclassical period, ang serial period. His ability to internwine vast varieteis of musical ideals, as well as his absolute command of rich, colorful orchestrations greatly influenced later composers. Stravinsky's compositions during the neoclassical period (1920-54) reflected the tonal and harmonic simplicity of the Baroque and Classical era (especially noticeable in comparison to his Russian period). His Symphony og Psalms is one such example from this period, and utilizes a full orchestra as well as a mixed choir and two pianos. With that said howover, it is also a unique piece that is comprised of both neoclassical and serial motifs and ideas. This paper aims to discover and analze the materials that show significant influence from the Baroque and/or Classical era in Stravinsky's Symphony of Psalms.

References

1. Mellers, Wilfried Horward. "Symphony of Psalms." Tempo 97 (1971): 19-27. Music Index, EBSCOhost.
2. Routh, Francis. The Master Musicians Series: Stravinsky. London: J.M. Dent & Sons, 1975.
3. Tansman, Alexandre. Igor Stravinsky: The Man and His Music. Translated by Therese & Charles Bleefield. New York: Putnam, 1949.
4. White, Eric Walter. Stravinsky; The Composer and His Works. 2ed Edition. Berkeley: University of California Press, 1966.

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Published

10.07.2018

How to Cite

Kishimoto, Masashi. 2018. “An Analysis of Igor Stravinsky’ S Symphony of Psalms Focusing on Neoclassicism”. Rangsit Music Journal 8 (1):ุ6-17. https://so06.tci-thaijo.org/index.php/rmj/article/view/133611.

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Section

บทความวิชาการ | Academic Article