J.S. Bach’s Influence on the Prélude, Fugue, et, Variation Op. 18 by César Franck
Keywords:
César Franck, Prélude, Fugue, Variation, J.S. BachAbstract
This research is about to examine the historical context during the life and times of César Franck in the nineteenth century (1822-1890) and to analyze some traces of Johann Sebastian Bach’s influence on one of the César Franck’s prelude and fugue works which is Prélude, Fugue, et Variation in B minor, Op.18. By choosing some of J.S. Bach’s compositions including prelude and fugue for organ and prelude and fugue from The Well-Tempered Clavier to study and compare with Prélude Fugue et Variation Op.18. The researcher used an analysis method to find the similarities in both of the composers’ works in terms of musical styles and ideas from Baroque and Romantic periods and musical techniques that César Franck tends to apply from Bach. The research result will be useful for a better understanding of life and works of César Franck and for analytical study of musical context from different two periods. This research was conducted in qualitative research design and the researcher choose the musicological method to analyze the data.
References
2 Nicholas Hester, César Franck – A New French Unity. University of York. 2015.
3 Rey M. Longyear, Nineteenth-Century Romanticism in Music. Prentice Hall History of Music
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4 Anna Sung, The Cavaillé-Coll Organ and César Franck’s Six Pièces. Arizona State
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5 Boyd, Malcolm. J. S. Bach. New York: Oxford University Press, 1999.
6 Dorothy Cheung, Selected Piano Works of Franck, Haydn, and Chopin. The Southern Baptist
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7 Jihye Oh, Number Symbolism in J. S. Bach's Keyboard Music. Claremont Graduate
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8 Ibid.
9 Ronald L. Fishbaugh, Elements of Romantic Tendency in Selected Keyboard Works of J.S.
Bach: A Study with References to the Visual Arts. New York University. 1978.
10 Albert Schweitzer, translated by Ernest Newman, J.S. Bach. Volume I., and Volume II.
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11 Marina Fabrikant, Bach-Busoni Chaconne A Piano Transcription analysis. University of
Nebraska. 2006.
12 Ibid.
13 Daniel Sakari Mahlberg, The Baroque Continuum: The Influence of the “Praeludien” from
Bach’s Well-Tempered Clavier on Chopin’s Préludes, Op.28.California State University
Dominguez Hills. 2007.
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