The Development of Pianist's Hand Independence for Improvisation using the Analysis of Aaron Goldberg's Solo Composition SHED with the Application of Drumset Practice Concepts.
Keywords:
Aaron Goldberg, Improvisation, Time Signature 5/4Abstract
The focus of this academic research article is to analyze the rhythmic usage of Aaron Goldberg’s piano solo improvisation in his composition SHED. He composed this tune in 5/4 time signature with left hand playing ostinato, while his right hand is improvising different rhythmic elements in which both hands are playing independently to each other. Which gave the freedom for both hands. This character of rhythms can be found in drum set exercises that try to improve hands independence. These playing techniques of piano and drum can be developed and created more exercises, that can improve the pianist’s hands independence for solo piano improvisation.
References
Briggs, Frank. Complete Modern Drum Set. Fenton, MO: Mel Bay Publications Inc., 2015.
Dower, David. “Self-Accompaniment and Improvisation in Solo Jazz Piano: Practice-Led Investigations of Assimilation, Ostinatos and ‘Hand Splitting’.” M.A. Diss., Edith Cowan University, 2015.
Jarenwattananon, Patrick. “Aaron Goldberg Trio + 1: Live At The Village Vanguard.” Accessed July 29, 2020. https://www.npr.org/2011/02/02/133241510/aaron-goldberg-trio-1-live-at-the-village-vanguard.
Longo, Michael. Developing the Left Hand for Jazz Piano. Anniston, AL: Consolidated Artists Publishing, 1978.
Meulen, Jelle van der. “Goldberg’s Variations: Investigating Aaron Goldberg’s Improvisational Style.” M.A. Diss., Royal Conservatoire The Hague, 2017.
Pilc, Jean-Michel. It’s about Music: The Art and Heart of Improvisation. Montrose, CA: Glen Lyon Books, 2012.
Seters, Thomas Andrew Van. “Eighty-Eight Drums: The Piano as Percussion Instrument in Jazz.” PhD Diss., University of Toronto, 2012.
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