Beethoven’s Piano Sonata in C Major, Op.53 “Waldstein”: Performance Practice and Interpretation

Authors

  • Joseph Wongpichedchai Faculty of fine and applied arts, Chulalongkorn university
  • Panjai Chulapan Faculty of fine and applied arts, Chulalongkorn university

Keywords:

Piano, Sonata, Piano Sonata , Ludwig van Beethoven, Waldstein Sonata

Abstract

            This research article is written to provide a guide on the analysis of performance practice and interpretation of Ludwig van Beethoven's Piano Sonata in C Major, Op.53 "Waldstein". Main objectives are 1) analyze and develop a good interpretation 2) improve piano playing skills and 3) learn how to deal with overall problems including time management and preparation for a solo performance. This article will help students and the general public to be interested in classical music and to have a better understanding of Beethoven's creativity through his piano sonata. This sonata, demanding and challenging, has been considered as one of the most well-known piano pieces. The sonata also plays an important role to help pianists develop their skills to a professional level. The researcher had faced and overcame the problems found in the piece during practicing such as hand cross, glissando, and trill.

References

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Mobbs, Kenneth. “A Performer's Comparative Study of Touchweight, Key-Dip, Keyboard Design and Repetition in Early Grand Pianos, c. 1770 to 1850.” The Galpin Society Journal Vol. 54 (May, 2001): 16-44.

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Published

25.01.2022

How to Cite

Wongpichedchai, Joseph, and Panjai Chulapan. 2022. “Beethoven’s Piano Sonata in C Major, Op.53 ‘Waldstein’: Performance Practice and Interpretation”. Rangsit Music Journal 17 (1):44-57. https://so06.tci-thaijo.org/index.php/rmj/article/view/247131.

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Section

บทความวิจัย | Research Article