Cultural Construction and Self-Identity in Chinese Hip-Hop

Authors

  • Hanmei Tan
  • Chutima Maneewattana Faculty of Fine and Applied Arts, Suan Sunandha Rajabhat University

Keywords:

Chinese Hip-Hop Culture, Rap Music, Cultural Construction, Self-Identity

Abstract

       Based on the promotion and popularization of hip-hop culture in our country, this article discusses 1). The cultural development from the integration of hip-hop culture and traditional culture, 2). The combination of hip-hop music works and personal emotions and 3). The developmental direction and positioning of hip-hop culture, all of which can be summed up the realization of the construction of hip-hop culture and self-identity strategy. Chinese hip hop musicians use various elements of traditional culture, such as language or regional features, to change the parts of hip-hop music that are not compatible with the local Chinese cultural environment. Such transformation enriches the connotation of hip-hop music and helps to construct a real Chinese hip hop culture and identity. Through these three strategies, we hope to endow hip-hop music with local characteristics, strengthen the public's sense of identity towards hip-hop culture, and spread positive energy values through hip-hop culture.

References

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Published

14.06.2022

How to Cite

Tan, Hanmei, and Chutima Maneewattana. 2022. “Cultural Construction and Self-Identity in Chinese Hip-Hop”. Rangsit Music Journal 17 (2):1-13. https://so06.tci-thaijo.org/index.php/rmj/article/view/250630.

Issue

Section

บทความวิชาการ | Academic Article