An Analysis of “Introduction and Variations on a Theme from Mozart, Op.9 by Fernando Sor”

Authors

  • Warisara Rojanabut Doctoral Student, Faculty of Fine and Applied Arts, Chulalongkorn University
  • Narongrit Dhamabutra Faculty of Fine Arts, Chulalongkorn University

DOI:

https://doi.org/10.59796/rmj.V19N1.2024.R0609

Keywords:

Techniques, Classical Guitar, The Magic Flute

Abstract

The purpose of this music analysis is to study and research on Introduction and Variations on a Theme from Mozart, Op. 9. This piece is a set of 5 variations for classical guitar which composed by Fernando Sor. He is one of the greatest Spanish composers. The piece consists of 7 sections: 1) Introduction, 2) Theme, 3) Variation 1, 4) Variation 2, 5) Variation 3, 6) Variation 4, 7) Variation 5. Which has interesting techniques such as slurs, harmonics and arpeggio. Moreover, the analysis will mainly focus on the potential of piece interpretation, including the study of the piece’s biography to develop interpretive potential and analyze the piece and techniques for performing classical guitar in public.

References

Dhamabutra, Narongrit. Contemporary Music Composition. Bangkok: Chulalongkorn University Press, 2009. (in Thai)

Melograni, Piero. Wolfgang Amadeus Mozart: A Biography. Chicago: University of Chicago Press, 2007.

Miller, Samuel. “Themes and Variations, and Those Not to Be Overlooked.” Journal of General Music Education 3, 2 (1990): 14-18.

Pancharoen, Natchar. Forms and Analysis.. Bangkok: KateCarat, 2017. (in Thai)

Sasser, William Gray. “The Guitar Works of Fernando Sor.” Ph.D. diss., University of North Carolina at Chapel Hill, 1960.

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Published

23.02.2024

How to Cite

Rojanabut, Warisara, and Narongrit Dhamabutra. 2024. “An Analysis of ‘Introduction and Variations on a Theme from Mozart, Op.9 by Fernando Sor’”. Rangsit Music Journal 19 (1):R0609 (12 pages). https://doi.org/10.59796/rmj.V19N1.2024.R0609.

Issue

Section

บทความวิจัย | Research Article