The Musical Language and Interpretation of Poulenc’s Concerto in D Minor for Two Pianos and Orchestra

Authors

  • Paulo Ricardo Soares Zereu School of Music, Assumption University

Keywords:

Musical Language, Piano Concerto, Pianistic Interpretation

Abstract

The main objective of this research is to explore features of the musical language within the conventional idiom of F. Poulenc’s Concerto in D minor for Two Pianos and Orchestra. The interpretational approach and analysis overview of the Concerto in D minor for Two Pianos and Orchestra by Poulenc refers to an approach of providing piano students and pianistsinsight into the specific technical and musical challenges and to include a stylistically and musically satisfying performance. This research also includes a historical overview of the selected piano concerto and a biographical background of the composer. This research should shade a light to enhance competence in the interpretational musical objectives of students and pianistsperformance by adding a new dimension and an improvement to contribute a work of stylistic, historic, and musical significance.

References

Cooke, Mervyn. “The East in the West: Evocations of the Gamelan in Western Music.” In The Exotic in Western Music, edited by Jonathan Bellman, 258-280. Boston, MA: Northeastern University Press, 1998.

Daniel, Keith W. Francis Poulenc: His Artistic Development and Musical Style. London: UMI Research Press, 1982.

Kafol, Barbara Sicheel, and Denac, Olga, and Žnidaršič, Jerneja, and Zalar, Konstanca. “Analysis of Music Education Objectives in Learning Domains,” Procedia -Social and Behavioral Sciences no.186 (2015): 95-104. https://doi.org/10.1016/ j.sbspro.2015.04.069.

Kimball, Carold. “Poulenc's Le Travail du Peintre: A Synthesis of the Arts.” NATS Bulletin 44/2 (1987): 5-11.

Poulenc, Francis. My Friends and Myself. London: Dennis Dobson Ltd, 1978.

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Published

06.02.2023

How to Cite

Soares Zereu, Paulo Ricardo. 2023. “The Musical Language and Interpretation of Poulenc’s Concerto in D Minor for Two Pianos and Orchestra”. Rangsit Music Journal 18 (1):155-69. https://so06.tci-thaijo.org/index.php/rmj/article/view/255188.

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Section

บทความวิจัย | Research Article