Joseph Haydn's Trumpet Concerto in E-flat Major: Performance Practice and Interpretation
DOI:
https://doi.org/10.59796/rmj.V19N1.2024.R0710Keywords:
Joseph Haydn, Trumpet Concerto, Keyed TrumpetAbstract
This article presents a study and analysis of Joseph Haydn's Trumpet Concerto in E-flat Major. The concerto is an influential piece for trumpet, as it is the first piece of music written after the development of a keyed trumpet which allowed the instrument to be able to play in chromatic scale instead of solely harmonic series. This article includes a study of the composer’s biography, the history of the concerto, an analysis of different performing techniques and approaches for composing a cadenza that can be used for appropriate interpretation and performance of the concerto. This study and analysis are part of a Master’s thesis in trumpet performance by Wasawat Phayakkakul.
References
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Dahlqvist, Reine. The Keyed Trumpet and its Greatest Virtuoso, Anton Weidinger. Rock Hill, SC: Brass Press, 1975.
Hickman, David. “Trumpet Concerto in E-flat Franz Joseph Haydn edited by David Hickman.” Arizona: Hickman Music Editions, n.d.
Marble, Thomas L. “Influences of the Keyed Trumpet and Anton Weidinger in the Concerto in E-flat for Trumpet by Johann Nepomuk Hummel.” Master’s Thesis, University of Nebraska at Omaha, 1992.
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Sexton, Jeremy W. “Anton Weidinger and the Emergence of His Voice: The Keyed Trumpet.” Nota Bene Canadian Undergraduate Journal of Musicology 5, 1 (2015): 41-62.
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