Pat Salat: A Musical Onomatopoeia in Mon Palm Leaf Scripture

Main Article Content

Jarun Kanchanapradit
Jatuporn Seemuang
Tharanat Hin-on
Vassakarok Kaewloy
Wanida Bhrammaputra

Abstract

This article analyzes the musical onomatopoeia of Pat Salat, a crescent-shaped gong, mentioned in a Mon palm leaf scripture entitled Kayak Che Nu Fo (The Buddha Descending from Heaven), written in 1847 by a Mon poet, Nai Tho Ma Nger. Findings show that among a number of musical instruments mentioned in the scripture, Pat Salat served as a key tool to link Pali words together, creating a harmonious combination between the sound of musical instrument and the Pali language, to  communicate homage and worship to the Buddha. Moreover, the sound in the poet’s imagination was identified,  reflecting the influence of music in Mon culture in the past as well as the   appreciation of music among Mon people as related to their faith in Buddhism.

Downloads

Download data is not yet available.

Article Details

Section
Articles

References

Bunphuk, P. (2015). Pīphāt Mǭn Rām [Piphat Mon Ensemble and Dance]. Bangkok: Ammarin Printing and Publishing.

Chudet, P. (2006). Phāpphot Læ Ros Nai Wannakadī Thai. Liberal Arts Review, 1(2), 41 - 47.

Fine Arts Department. (2002). Wannakam Samai Ayutthayā Lēm 2 [Litterature of Ayutthaya era]. Bangkok: Kǭngwannakam Læ Prawattisāt.

Im Mon Nerng. (1958). Payi Thongchu Apakathesa [Traditional Dance in Myanmar]. Yangon. (n.p.).

Kanchanapradit, J. (2016). Kānsưksā Krūangdontrī čhāk Kamphī Bailān Mǭn ‘Kayat Chenū Fo’ Phraphuttačhao Long čhāk Sawan [A Study of Mon Musical Instruments from the Palm Leaf Scripture “Kyak čhe Nu Fo” The Buddha descended from Heaven]. Journal of Fine and Applied Arts, Khon Kaen University, 8(2), 293 - 314.

Phongphaiboon, N. (2001). Thipsukon Dontrī Thai. Bangkok: Klaw - Klao.

Phra Khru Thammachotsunthon. (2009). Tamrā Waiyakǭn Mǭn [Gramma of Mon Language]. Bangkok: (n.p.).

Phuakuampai, N. (2013). Kānsưksā Wǭngpīphat Mǭn Hongsāwadī Mūban Wangka Tambon Nonglū Ampœ Sangklaburī [A Study of Mon Hongsavadi Pipat Ensemble Wangka subdistric, Sangklaburi district] (Master’s thesis, Ethnomusicology, Srina karinwirot University).

Potčhanānukrom Mǭn - Thai chabap Mon Sayām. [Dictionary of Mon - Thai in Mon Siam’ version]. (2005). Bangkok: Matichon.

Raman, M. (2004). Mǭn Kīta Nithān. [Songs of Mons]. Yangon.

Ratchabandittayasathan. (1996). Photchanānukrom Sap Wannakam: Phāppot Wōhān Lae Kon Kan Praphan [Dictionary of the Literature: Figures of Speech and Compositional Technique]. Bangkok: Ratchabandittayasathan.

Rice, T. (2014). Ethnomusicology: A Very Short Introduction. New York: Oxford University.

Tubwiset, A. (2009). Kansuksa Wong Kwuan Kwat Mon: Dontrī Chum Chon Mon Ban Wangka Mu 2 Tambon Nonglu Amper Sangkhlaburi Changwat Kanchanaburi [A Study of Kwuan Kwat Mon: Music of Mon community, Wangka village, Nonglu sub - distric, Shangkhlaburi district, Kanchanaburi province] (Master’s thesis, Ethnomusicology, Srinakarinwirot University).

U Khin Maung Tin. (2004). Musical Instrument of The Mon National Race in Southeast Myanmar. The 9th International Conference of the Asia - Pacific Society for Ethnomusicology August 24th to 27th 2004 (1 - 8). Cambodia: Phnom Penh.

Wongraman. A. (2000). Lœt Salapǭt Kyāk Che Nu Fō [Palm Leaf Scripture ‘The Buddha descended from Heaven’]. (n.p.).